Okay, I’m a day late in celebrating it but yesterday, March 4, was the 95th anniversary of the day in 1922 when German movie-going audiences were introduced to, and horrified by, Count Graf Orlok, the vampiric star of director F.W. Murnau’s Nosferatu: A Symphony of Horror. (It took another seven years before the film reached America.)
Nosferatu, in case you were unaware, was actually an unauthorized adaptation of Bram Stoker’s novel Dracula. You think Twilight is just Harry Potter with the “serial numbers”—character names and plot locations—filed off to create a new setup? Or that Fifty Shades of Gray is just a reformatted Twilight? Well, producers Albin Grau and Enrico Dieckmann and screenwriter Henrik Galeen were doing that stuff almost a hundred years before Meyer and James—only no one’s ever insisted that all copies of their derivative works had to be destroyed!
That’s exactly what Florence Balcombe Stoker—the author’s widow—demanded when she learned of the film. Originally she sued Grau and Dieckmann’s Prana-Film company for copyright infringement—Grau had never bothered optioning the rights to Dracula and just ripped it off—but when it became clear the movie wasn’t a box-office hit, she said she’d settle for all copies of it being destroyed, and the judge presiding over the case agreed with her! Luckily, some copies survived so that generations of horror fans could see for themselves what a great film it is, and how disturbingly creepy Count Orlok is, as portrayed by actor Max Schreck.
There’s another reason (isn’t there always?) I mention Count Orlok: his is one of the vampire clans featured in the Pan novels Blood Feud and Blood Reign (and the upcoming Blood & Iron)—although I spell it Orlock there. But really, he’s the same vampire you’ll find in Nosferatu. And maybe one day, if Pan is unfortunate enough, she might find herself running into that rat-faced creep…
If you’ve never seen Nosferatu because it’s an old, black-and-white silent (no sound) movie, you’re doing yourself a disservice. Go find a copy—there are tons of them out there, since the movie has long been in the public domain—and check it out!
Hey, fellow monster kids! Can you believe it? Eighty-four years ago today, on March 2, 1933, New York movie audiences got to feast their eyes on, and get the crap scared out of them by, the Eighth Wonder of the World:
Graphic novels: Who doesn’t love to read them, especially if they can be used to get adults, teens, and kids interested in reading? And if there’s one thing the staff at StarWarp Concepts believes in, it’s promoting literacy. And wouldn’t you know it, there’s a yearly literacy event that’s been set up to help get the ball rolling!
The Saga of Pandora Zwieback Annual #1
To celebrate this year’s 145th anniversary of J. Sheridan Le Fanu’s gothic vampire classic, Carmilla, Pan’s publisher, over at the StarWarp Concepts blog I’ve been doing a series of blog posts in which I’m reviewing various adaptations (comics, films, TV) of this strange and creepy paranormal romance.
Before Edward and Bella, before Lestat and Louis, even before Dracula and Mina, there was the vampiric tale of Carmilla and Laura.
To celebrate this year’s 145th anniversary of J. Sheridan Le Fanu’s gothic vampire classic, Carmilla, Pan’s publisher, over at the StarWarp Concepts blog I’m doing a series of blog posts in which I’m reviewing various adaptations (comics, films, TV) of this strange and creepy paranormal romance.
To celebrate this year’s 145th anniversary of J. Sheridan Le Fanu’s gothic vampire classic, Carmilla, Pan’s publisher, over at the StarWarp Concepts blog I’ve started a series of blog posts in which I’m reviewing various adaptations (comics, films, TV) of this strange and creepy paranormal romance.
Over at the StarWarp Concepts blog, it’s the second installment of
King Kong (the SWC Illustrated Classic) is an e-book-only release that will reintroduce monster fans to the 1932 novelization of the original movie classic. Written by Delos W. Lovelace, based on the story by Edgar Wallace and Merian C. Cooper and the screenplay by James A. Creelman and Ruth Rose, it includes scenes that didn’t appear in the final cut of the film—including the notorious “spider pit” sequence in which Kong’s human pursuers are attacked by horrific arachnids and insects. The SWC version features six original black-and-white illustrations by comics artist Paul Tuma, whose pulp-influenced style has appeared in the pages of The Twilight Avenger, Flare, and Dan Turner: Hollywood Detective.
Hey, vampire fans! To celebrate this year’s 145th anniversary of J. Sheridan Le Fanu’s gothic vampire classic, Carmilla, Pan’s publisher, over at the StarWarp Concepts blog I’ve started a series of blog posts in which I’m reviewing various adaptations (comics, films, TV) of this strange and creepy paranormal romance. We’re starting with a comic version that ran in Creepy #19, released in 1968 by Warren Publications, the original home of Creepy, Eerie, Vampirella, and Famous Monsters of Filmland. Head over to
Over at the StarWarp Concepts blog, in honor of February being Women in Horror Month, I shine the spotlight on author and artist
Over at the StarWarp Concepts blog, today is the premiere installment of