Taking Care of Business

Welcome, Panatics, to a New Year and a new publishing schedule! It’s been a while since you and I talked, and let me deeply apologize for that. But as you saw here from that teaser posted yesterday, there’s some good news that I’m sure you Panatics were greatly interested in… 😉

blood_reign-coverYes, after many delays Blood Reign: The Saga of Pandora Zwieback, Book 2 is finally being published, on Monday, February 2nd, and let me thank all of you for your patience. I know I was a right SOB for leaving you where I did with that cliffhanger ending of Book 1, Blood Feud, but now at last you’ll be able to find out what adventures lie ahead for our resident happy Goth.

(By the way, if you can’t wait that long, you can always download the Blood Reign free sample chapter from the StarWarp Concepts website, and discover what happened to Pan directly following Blood Feud’s ending.)

If you head over to the StarWarp Concepts blog and read today’s post—I’ve been referring to it as the State of the StarWarp Concepts Union address—you’ll find out exactly what’s been going on over at Pan’s publisher, as well as what’s going to be happening this year to get things back on track.

As for this blog…well, I’ve got some exciting stuff coming up, as Blood Reign’s release date gets closer. Stay tuned!

I Didn’t Know Pan Had a Little Cousin…

one-big-happy-120714

From today’s “One Big Happy” comic strip, by Rick Detorie. It’s a strip I’ve been enjoying for a long time, particularly for the antics that six-year-old Ruthie—the little girl you see here—gets into, dealing with ninja kitties, stalker crows, squirrels that scare her dog, and constant calls to the homework hotline lady. Plus she’s an artist and a writer, so what’s not to like about her?

But it wasn’t until today’s strip that I discovered she can “see” monsters, just like our resident Goth girl, Pandora Zwieback! (Okay, Ruthie’s are imaginary, but still…) “…my head, because that’s where the monsters live!” Well, Pan did think the monsters were all in her head until her shape-shifting mentor, Annie, proved it’s really Pan’s unique gift of “monstervision” that allows her to see the monsters that really exist. And Ruthie’s seeing them at the same age Pan started to…

Yep. Gotta be related. 😀

Take Your Child to a Bookstore Day is Saturday!

Take-Child-Bookstore

Hey, book lovers, this Saturday, December 6, is the fifth annual Take Your Child to a Bookstore Day! Founded in 2010 by author Jessica Milchman, the event, according to its Web site, “is about instilling a love of bookstores in children so that they will value and support this most precious of resources as they go on to enter and create communities of their own.”

Kids + reading + brick-and-mortar bookstores? Always a great combination!

For more information, including a map of the bookstores that are celebrating with events of their own, visit the TYCBD site by clicking on the banner up top.

Pirouette #1: A Review

Pirouette01As I mentioned a couple of weeks back, in my post on the zombie apocalypse series Afterlife with Archie, I’ve become a comic book reviewer for the news site Comics for Sinners. And occasionally I come across a horror series that I think might interest you Panatics, so I decided to now and then reproduce my C4S reviews here at Zwieback Central. (And yes, it helps to update this blog.) So this time around I look at the first issue of Black Mask Studios’ Pirouette. Read on to find out more…

Confession time: I’ll admit I experienced some trepidation when I was asked to review this title from Black Mask Studios, but that was entirely due to confusing writer Mark L. Miller with Kick-Ass shock-and-awe hypemeister Mark Millar. Not being a fan of Millar’s work, I couldn’t imagine what Hollywood pitch this latest work would turn out to be. But then I took a second look, and realized a completely different writer was involved (an unfortunate circumstance that I’m sure Miller is sick of by now), so I started reading.

Pirouette-Sample1I’m glad I took that second look.

Pirouette is the eponymous star of the comic, an extremely sad, 16-year-old clown who dreams of running away from the circus because of the abuse—both physical and psychological—that she suffers at the hands of her fellow carnies, as well as her parents; to say she’s the resident punching bag would be an understatement. And yet there’s a spark of hope in Pirouette that a better life exists for her, somewhere beyond her nightmarish existence. And if what one of the other clowns has told her is true, there may be a chance for that spark to blossom into a flame…

The first impression one gets from Miller’s tale is that he’s wearing his Ray Bradbury influence on his sleeve—Samwell’s Circus of Curios and Wonders seems straight out of Cooger & Dark’s Pandemonium Shadow Show in Bradbury’s classic novel, Something Wicked This Way Comes. And that’s not a bad thing—given the extremes of hyperkinetic art layouts and ultraslow, “write for the trade” padded scripting that dominate comics these days, Miller has found an easy balance between the two, with a story that moves at its own pace without being derivative of Bradbury’s work.

Although billed as a horror miniseries, there’s nothing supernatural in evidence in this first issue; the horror solely comes from watching Pirouette’s mistreatment from a cast of characters you’d like to see run over by the train that transports the circus through its 1930s’ Midwest America setting. From all I know there may be no supernatural elements to the story, and that would be fine—Pirouette works just as well as a character-driven tale.

Pirouette-Sample2

The art by Miller’s creative partner, Carlos Granda, is breathtaking. There’s a hint of Angel Medina (Spawn), a hint of Bernie Wrightson (Swamp Thing), and a touch of old-school EC comics to his style, and it all combines for top-notch storytelling pages that range from wide-screen double-splashes to intimate close-ups.

Bottom line? With its winning combination of Bradbury-esque influences and incredible art, Pirouette is a miniseries definitely worth a look for horror fans and comic fans.

Pirouette #1
Written by Mark L. Miller
Art and cover by Carlos Granda
Publisher: Black Mask Studios
32 pages • full color
$3.99 U.S.
On sale now

Afterlife With Archie #6: A Review

afterlife06Just in time for Halloween, here’s something different for this site: Me recommending a project I had nothing to do with. Okay, maybe not all that different—after all, I’ve posted summer reading lists in which I recommend other authors’ works. If anything, it’s different in that it involves a comic book series, the latest issue of which I reviewed for the news site Comics for Sinners. It’s the most unexpected—and most popular—Archie Andrews comic ever: the zombie apocalypse series Afterlife with Archie. And I think it’s something you Panatics might be interested in…

It started as a joke: a Halloween drawing by artist Francesco Francavilla (The Black Beetle), of a comic-book cover for a nonexistent horror series called Afterlife with Archie (a parody of the long-running Life with Archie); in it, America’s favorite teenager was being stalked in a cemetery by his best friend, Jughead—who’d become a zombie. The image went viral and comic fans laughed about it…but at Archie Comics, someone took a look at it and thought, Archie and his pals in a zombie apocalypse—what a great idea!

And thus was born Afterlife with Archie, the series, with Francavilla as artist, joined by writer Roberto Aguirre-Sacasa (Stephen King’s The Stand). Together, they’ve made AwA one of the most talked-about series currently being published, and one of the company’s top titles, by treating it as a straight-up horror series not intended for younger readers used to Archie’s more comedic antics. The setup is: Jughead’s dog, Hot Dog, is hit and killed by a car; Jughead brings him to Sabrina the Teenaged Witch and begs her to revive him; Sabrina uses The Necronomicon to do so (well, there’s a bad idea). In a Stephen King’s Pet Sematary–style twist, Hot Dog comes back as a very bad dog—a zombie dog, in fact, that puts the bite on Jughead…who then quickly spreads the infection to the rest of Riverdale. And suddenly Archie Andrews knows what it’s like to be Rick Grimes in The Walking Dead…

With the first story arc completed in AwA #5, Afterlife with Archie #6 shows us what’s become of Sabrina after her two witchy aunts punished her for accidentally unleashing hell on Earth—the last we’d seen of her was in the first issue, when they’d banished her to the “Nether-Realm.” Now we find out things haven’t improved much for her…

“Witch in the Dream House” uses the trope of the lead character who insists that their “hallucinations” and imagined life are reality while everyone tries to convince the character they’re insane. For Sabrina, it’s her certainty that she’s a witch, surrounded by monster in group therapy at a mental institution—run by two doctors named Lovecraft and Machen. If you recognize the names H. P. Lovecraft and Arthur Machen, two of the horror genre’s greatest writers, you can see where this is going, can’t you?

For horror fans, there are Easter eggs galore, with shout-outs to the authors’ works, most notably Lovecraft’s C’thulu Mythos—two of Sabrina’s fellow patients are Erich Zann (“The Music of Erich Zann”) and Richard Pickman (“Pickman’s Model”)—as well as Robert W. Chambers’s fabled city of Carcosa (most notably referenced in the first season of HBO’s acclaimed series True Detective) and the cult classic film The Wicker Man (the original with Edward Woodward and Christopher Lee, not the crappy remake with Nicholas Cage). And as for the ending…well, you’ll just have to see it for yourself.

As a bonus, instead of AwA’s usual backup stories—reprinted from Archie’s Red Circle–imprint series Chilling Tales of Sorcery, with stories and art by some of comics’ legendary creators—this issue features a sneak peek of Chilling Adventures of Sabrina #1, Aguirre-Sacasa’s not-quite-an-AwA-spinoff-series that’s currently on sale. Set in the 1960s, with art by Robert Hack, it seems to take its cues from Rosemary’s Baby and other occult thrillers of the sixties and early seventies. Definitely another series to check out.

Bottom line? If you’re already reading Afterlife with Archie, or are a fan of the works of Lovecraft, Machen, and Chambers, then definitely pick up this issue. If you’re a horror fan in general, you need to be reading this series. AwA is one of the smartest, creepiest comics out there right now, with a minimal amount of gore shown during its most violent scenes, but a lot of oppressive mood. Archie + zombies + the C’thulu Mythos = a can’t-miss series.

Afterlife with Archie #6

“Witch in the Dream House”

Written by Roberto Aguirre-Sacasa

Art by Francesco Francavilla

Publisher: Archie Comics

32 pages • full-color

$2.99 U.S.

On sale now

Cover Painter Bob Larkin at Doc Con 2014

SWC_Larkin_SketchbookThis past weekend, Saga of Pandora Zwieback cover painter Bob Larkin was the guest of honor at Doc Con XVII, the latest gathering of fans of pulp action hero Doc Savage. Interested in finding out what happened? Then head on over to the StarWarp Concepts blog and read the convention report.

By the way, Panatics, have you purchased a copy of The Bob Larkin Sketchbook yet? If not, you’re missing out on spectacular pencil drawings of Doc Savage, Spider-Man, Batman, the X-Men, and other subjects, and features a special, full-color cover drawing of a certain Goth adventuress. It’s 24 pages of artistic goodness, available exclusively from the StarWarp Concepts webstore. Visit the Bob Larkin Sketchbook product page for all the ordering information, as well as sample pages.

That Time Dracula and Dr. Who Fought a Killer Monkey (Sort Of)

horror-express-movie-poster-1973Here’s something you Panatics might enjoy. Over at the StarWarp Concepts blog, I occasionally post “Tales of Development Hell”: stories of projects I was hired to write, only to see them wind up being canceled for various reasons (a deal fell through, the publisher went out of business, etc.). One of those projects involved contributing to a collection of horror-movie reviews that ultimately never saw print.

The movie I covered was 1973’s Horror Express, which starred Christopher Lee (old-time fans know him as Dracula; younger fans would know him as Count Dooku in Star Wars: Episodes 2–3, Saruman in The Lord of the Rings and The Hobbit, and the voice of Pastor Galswells in Corpse Bride) and Peter Cushing (Grand Moff Tarkin in Star Wars: Episode 4, Dr. Who in Doctor Who and the Daleks, and Van Helsing in Christopher Lee’s Dracula films), who team up to fight an ancient monkeyman that’s killing passengers on a train. And that’s not even the weirdest part of the movie!

Sounds interesting? Great! To get the whole behind-the-scenes story on the project, read this post at the SWC blog. Then, to check out the actual review, go here.