The 13.5 Days of Pan-demonium

Here’s the story of a hidden gem.

Last year, this site hosted “The 13 Days of Pan-demonium”: a promotional event used to help launch the first Pandora Zwieback novel, Blood Feud. It involved thirteen artists (including me) doing interpretations of Pan and her monster-hunting mentor, Annie. (As you can see from the navigation bar up top, there’s a separate page that warehouses all the images, for your viewing pleasure.)

One of those artists was Dave Hoover, an artist who’d worked for Marvel and DC Comics in the 1990s on superhero projects such as Starman, Fantastic Four Unlimited, and Captain America, and as an animator on films and TV shows including Fire and Ice, He-Man and the Masters of the Universe, and Men in Black: The Series. In 2011, he’d just finished a run as the penciler of Zenescope Entertainment’s comic series Charmed, based on the popular TV show.

When I started making plans for the 13 Days, I contacted Dave through his DeviantArt page and asked if he’d be interested in drawing my teen Goth heroine. He was, we negotiated a price, and the result was a spectacular illustration of Pan and Annie that I used for Day Four.

The big surprise, however, was when I received the actual 11” x 17” art. I’d been dealing with so many digital artists by this point that I’d assumed his pinup existed only as a Photoshop file—but no! When I tore open the package—one Dave had never told me he was sending—I found the hand-colored final piece inside. I was thrilled beyond belief!

Sadly, Dave passed away on September 4, 2011, at the age of 56. When I heard the news, I pulled the illustration from the art drawer and just sat awhile, admiring it. Such a fantastic artist, and now I’d never have a chance to collaborate with him again. I started to put the drawing away and did something I’d never thought of doing in the three or four months I’d had the art: I turned it over.


What you’re looking at is Dave’s original blue-pencil sketch, before he came up with what he no doubt considered a better composition. Still, as great as the final art is, I think this one would’ve made a helluva pinup, too.

Thanks, Dave.

Mr. Blood Moon Riiiiisin’…

Posted today at Blood Moon Rising’s Web site is the latest issue of Queens County’s premier horror magazine, featuring news, reviews, a Special Features article on (and photos of) the April 24th Institute of Horror, Fantasy & Science Fiction gathering—and an interview with me!

“It wasn’t until 1993, when I launched Starwarp Concepts, that I became a professional writer; then my work started to get noticed. In fact, one of my earliest Lorelei fans was Charles de Lint, who’s an award-winning fantasy author; when I learned who he was, that blew me away!”

Read the entire interview, conducted by editor D. W. Jones, by clicking on the cover above. Be sure to check out the rest of the issue, as well!

And before you ask, no, that’s not me on the cover… 😉

Latest Convention Reports for Your Reading Pleasure

So, you’ve seen the notices here of the conventions I’ve been attending recently, but where, you might ask, can you find the reports on my first two con appearances of 2012? Why, over at the StarWarp Concepts blog, that’s where!

You’ll find the write-up of the March 24th Institute of Horror, Fantasy & Science Fiction gathering (hosted by Blood Moon Rising magazine) here, and the report on the March 31st New York Comic Book Marketplace is here.

Next stop on the SWC 2012 Promotional Tour is the Boston Comic Con, being held April 21–22 at the Hynes Convention Center, in the Back Bay area of Beantown. I’ll be manning the SWC table in Artists’ Alley—just look for the distinctive Pandora Zwieback banner.

New York Comic Book Marketplace Tomorrow

The 2012 New York Comic Book Marketplace is being held this coming Saturday, March 31, at the Penn Plaza Pavilion at the Hotel Pennsylvania, in Manhattan (across 7th Avenue from Pennsylvania Station and Madison Square Garden). Stan “The Man” Lee is the guest of honor—but more important, StarWarp Concepts will be there, too!

You’ll find us in Artists’Alley; just look for the Pandora Zwieback banner. On sale will be copies of Blood Feud, Carmilla, A Princess of Mars, and The Bob Larkin Sketchbook, as well as the Official Pandora Zwieback T-shirt. I’ll also be handing out Pandora Zwieback bookmarks—while supplies last, of course.

The New York Comic Book Marketplace runs from 10 a.m. to 7:00 p.m. on March 31, and admission is $10. The Hotel Pennsylvania is located at 401 Seventh Avenue, between 32nd and 33rd Streets.

For more information, head over to the NYCBM Web site.

StarWarp Concepts’ 2012 Convention Season Starts This Weekend

The annual gathering of the Institute of Horror, Fantasy, and Science Fiction—hosted by Blood Moon Rising magazine—is being held this coming Saturday, March 24, at the main branch of the Queens Public Library, in Flushing (just a few blocks from Main Street—the final stop on the #7 train—and smack in the middle of the borough’s own Chinatown). Not only will I be manning the StarWarp Concepts table, but I’ll be doing my first public reading of Blood Feud. (Now that’s terrifying!)

On sale will be copies of Blood Feud, Carmilla, A Princess of Mars, and The Bob Larkin Sketchbook, as well as the Official Pandora Zwieback T-shirt. I’ll also be handing out Pandora Zwieback bookmarks—while supplies last, of course. The print version of the free Saga of Pandora Zwieback #0 introductory comic won’t be available, unfortunately—I’ve burned through its 3,000-copy run (so where are the sales?!). At the moment, I’m still debating whether or not to go back to press (three thousand 16-page, full-color freebies don’t come cheap, after all).

After this weekend, on March 31st The ’Warp will be appearing at the New York Comic Book Marketplace—more details on that next week—and then in April we’ll be heading back to Beantown for the Boston Comic Con. For us, the 2012 convention season has officially begun! Check out the Events listing for all our upcoming appearances and come out and see us, if you get the chance.

The Institute of Horror, Fantasy, and Science Fiction runs from noon to 5:00 p.m. on March 24, and admission is free. The Queens Library is located at 41-17 Main Street, in Flushing.

For more information, head over to the Blood Moon Rising Web site.

The Horror… The Horror…

Score yet another positive review for Blood Feud: The Saga of Pandora Zwieback, Book 1, this time courtesy of Jeani Rector, founder/editor of the online magazine The Horror Zine:

“Blood Feud is an exciting read, and a page-turning adventure. Although intended for a teenage audience, many adults would enjoy it as well.”

Read the entire review by clicking on the logo above.

Writing: Musical Influences: “Fiend Club”

So, picking up where we left off in the February 27th post, we’ve been discussing influences on the writing of the first Pandora Zwieback novel, Blood Feud. Last time I talked about how the Horrorpops song “MissFit” became Pan’s anthem. Now we get to the introduction of her gothy friends.

There’s a scene in chapter 21 in which Pan and her friends do a little song-and-dance number for videographer Tim Merrick (whose day job is working as an assistant to David Zwieback, owner of the storefront museum Renfield’s House of Horrors and Mystical Antiquities). When I started writing that scene, the first horror-related tune that popped into my head was Michael Jackson’s “Thriller.” A classic 1980s pop hit, with a good beat and lyrics, and Vincent Price rapping—what better song for Pan to launch into?

Yeah, okay, it was too easy a musical choice, and way too mainstream a tune for Goths, but I was trying to find a way to make a transition between a scene in Renfield’s, during which Pan has lovingly bullied her father into retrieving her makeup kit from his car, and the dance number on the museum’s basement steps. As originally written, it went like this:

The door swung shut behind him, and Pan turned to face Tim. He looked highly amused. “What?”

Tim shrugged. “Just couldn’t help noticing you got him trained well.”

“Of course.” Pan flashed a wicked grin. “And now, Timothy,” she intoned in her deepest, most ominous voice, “at last you know the true power of being Daddy’s Little Girl…”

*          *          *

“ ’Cause this is Thrillllerrrrr!” Pan wailed, head thrown back, as she and the crew sang along with Michael Jackson and danced on the steps leading to the museum’s basement floor.

In movie terminology, I saw the transition as a smash cut: an abrupt jump from one scene to the next—in this case, everyday Pan giving her best sinister smile instantly changing into glammed-up Pan singing her heart out as the “camera” pulls back to show her and her friends on the stairs. (If you’ve been following these posts, you already know how I tend to “see” the scenes I write in cinematic angles.)

But then one night I downloaded the latest episode of Rue Morgue Radio (a great online, F-bomb-loaded radio-style show that stopped broadcasting in January 2012 after seven years, but you should definitely check out their archives). One of the first songs that the host, Tomb Dragomir, played was a track from the Misfits’ 1999 album Famous Monsters: “Fiend Club”—and I suddenly realized that Pan & Co. had a much better song to perform:

http://www.youtube.com/watch?v=n5TgEU4f_eY

We won’t pretend that this is the end
We’re not losers all of the time
We march and we fall
We’re one and for all
It’s just evil all of the time
All the time

We are the fiend club
We are the fiend club
We are the fiend club
Not you! Not you!

You dress so messed up
Your hair is too long
But I’m changing it all of the time
We march and we fall
We’re one and for all
It’s just evil all of the time
All the time
Evil all the time

We are the fiend club
We are the fiend club
We are the fiend club
Not you! Not you!

Evil all the time

We are the fiend club
We are the fiend club
We are the fiend club
Not you! Not you!

We are the fiend club

Not exactly a song you can choreograph a dance number to—well, not unless it includes a lot of violent head banging—but I thought, what a great anthem that would make for Pan and her friends: united in their weirdness, and proud of it. So, out went the King of Pop and in came a far more appropriate band (who are horror fans themselves).

FYI: The actual Fiend Club is the Misfits’ fan club. You can find it here.

Blood Feud E-Sales: The Post-Mortem

So, how did StarWarp Concepts do with their $1.00 Blood Feud e-book sale over at Smashwords, during the Read an E-Book Week promotion? Head on over to the SWC blog and read the outcome.

Then come back here later this week, as we get back to discussing the inspirations behind the writing of Pan’s first adventure. It’ll be fiend-tastic!

Blood Feud E-Book Sale

Starting today, March 4, StarWarp Concepts is participating in Smashwords’ annual Read an E-Book Week, and we’re offering the e-version of the first Pandora Zwieback novel for just $1.00! Buy it for your Kindle, Nook, Kobo, iPad, Sony Reader, or your home computer.

Please help spread the word. The sale runs from 12:01 a.m. (Pacific Time) on March 4 until 11:59 p.m. (Pacific Time) on Saturday, March 10. Sign up for a Smashwords account and use the Coupon Code you see in the ad to receive the discount on BLOOD FEUD—it’s available only to Smashwords customers.

Writing: Musical Inspiration: “MissFit”

Last Friday we were discussing the standard question put to writers: “Where do you get your ideas from?” It’s the question every writer has been asked at some point in their career, and one that never has a set single answer. Well, for me, sometimes inspiration can come from the music I listen to while I write…

For instance: in Blood Feud: The Saga of Pandora Zwieback, Book 1, there’s a scene in chapter 6, in which Pan—rain-soaked after sitting out in a heavy downpour—goes to her bedroom to pull together a change of clothes. To lighten her depressed mood, she turns on her Mac’s iTunes DJ and a song comes on. Pan sings along as she heads off to take a shower.

I’d been listening to Kiss Kiss, Kill Kill—Danish band Horrorpops’ third album, on which “MissFit” is the second track—while I was writing the scene, not really paying attention to the lyrics; it was just background music to help me get into Pan’s head. Then I heard:

My fist!

In the middle of your face!

My fist!

In the middle of your—

Well, that certainly got my attention, because Pan had punched a mean girl in the jaw two chapters earlier. So I replayed the song—and suddenly realized I was listening to Pan’s “theme song” (lyrics below):

I don’t always tread, don’t always tread careful

Yeah

Most of the time I’m quite annoying

I don’t watch my mouth

Don’t find an out in a fight

I can scream and shout and be a loudmouth!

And I, I’m from the wrong side of town

Now frown

On top of that I’m female!

Nothing, nothing I say is adequate

According to you I’m a MissFit!

What made you my judge and juror?

So I, I don’t care for the common trend

Why is that something I have to defend?

Who made you my judge and juror?

So I carry my fists, I carry my fists high

‘Cause most of the time I know I have to fight

For what I believe, what I believe is right

Even stupid things like keeping my hair dyed

And I, I’m from the wrong side of the town

Now frown

On top of that I’m female!

Nothing, nothing I say is adequate

According to you I’m a MissFit!

What made you my judge and juror?

So I, I don’t care for the common trend

Why is that something I have to defend?

Who made you my judge and juror?

My fist in the middle of your face

My fist in the middle of your—

Nothing, Nothing I say is adequate

According to you I’m a MissFit

What made you my judge and juror?

So I, I don’t care for the common trend

Why is that something I have to defend?

I still stand tall!

Once I focused on the lyrics, I knew “MissFit” was the perfect Pan song and I had to incorporate it into the bedroom scene. Thus, iTunes is turned on, Horrorpops loads up, and Pan exits, yelling “My fist! In the middle of your face!” at the top of her lungs.

Fun fact: Turns out the “My fist” shout-out was itself inspired by a song: the British band Madness’ 1982 pop tune “Our House” (Our house/In the middle of our street/Our house/In the middle of our—).

See? Inspiration can be found everywhere!

Next: Enter: The Fiend Club!