Tag Archives: eliseu gouveia

Creating the Pandora Zwieback #0 Cover, Part 2

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As you’ll recall, yesterday I was telling you the story behind the cover for what became a revitalized StarWarp Concepts’ first release in 2010: the promotional giveaway The Saga of Pandora Zwieback #0, which was intended to introduce readers to Pan and her forthcoming literary debut in the novel Blood Reign. I’d scripted the seven-page story in which Pan would speak directly to readers, leading up to a sales pitch for Blood Feud that required Pan to hold up a copy of the book (the cover for which would be digitally inserted).

Pan0-rev-sketchBut when the artist I’d hired, Eliseu “Zeu” Gouveia, e-mailed his pencils for the story, the sales-pitch page had been replaced with an image of Pan and her monster-hunting mentor, Annie, gleefully running through a gauntlet of monsters. A revision would be necessary—which meant it was time to break out a marker and sketch what Pan was supposed to be doing, so Zeu would have a clearer understanding of my intention with that page.

What you see here is just…tragic. There’s a reason I focus more on my writing than my drawing. 😀 But it was good enough to show Zeu what I was looking for, and you’ll find the final version of page 6 in the comic. As for what to do with the rejected page…

“Y’know what?” I wrote to Zeu. “Don’t trash those pencils—because I think we’ve got our cover art here!”

That’s right—it might not have been the page I was looking for, but it turned out to be the perfect cover image! So I told Zeu to ink the piece, and soon enough I was looking at this:

Pan0-CvrInks

Perfect! And when I gave him the go-ahead to color it, this was the result:

Pan0-finalart

Now that’s cover art! The next step was to involve the comic’s designer and letterer, Mike Rivilis, a talented book designer I used to work with back in my editorial days at ibooks, inc. and Byron Preiss Visual Publications. (For SWC, he also designed and typeset the illustrated classic Carmilla, designed the graphic novel Troubleshooters, Incorporated: Night Stalkings, and designed and lettered the graphic novel Lorelei: Sects and the City and The Saga of Pandora Zwieback Annual #1.) I explained to Mike what the comic was for, and what design elements were needed—like lettering the seven-pager and typesetting sample chapters from Blood Feud in the back of the comic—and I gave him a rough idea of how the front cover should turn out.

There was one thing missing, though: a Saga of Pandora Zwieback logo. For the Pan novels, designer Mat Postawa simply has the series title arc across the front cover, in a traditional font, and hand-draws the titles. The comic, however, would require an actual title treatment. So I turned to the one artist I knew who had decades of experience in creating comic and book titles: Bob Larkin, cover painter of the Pan novels Blood Feud and Blood Reign. I wanted an old-style horror logo, so I sketched out what I had in mind and explained to Bob that I was looking for something along the lines of the lettering styles used for articles in the classic horror magazine Famous Monsters of Filmland and the logos of Marvel horror comics of the 1970s:

Horror-Title-Lettering

Not surprisingly, he immediately understood what I was looking for—we’re both old-school horror fans (that Haunt of Horror cover painting is one of Bob’s, in case you hadn’t guessed)—and a day or two later he sent over his take, which I thought was perfect. I forwarded it to Mike, who was just wrapping up his design and lettering work on the comic’s interiors, and soon enough we had a finished cover:

Pan0-finalcvrNice, huh? And it all started with the happy accident (as the late painter Bob Ross would say—we don’t make mistakes, we have happy accidents) of Zeu drawing the wrong image for the Blood Feud sales-pitch page. It’s great when things just work out, isn’t it?

By the way, The Saga of Pandora Zwieback #0 is still available for free download—I ran out of print copies a few years back—so just click on the cover link you see in the right-hand sidebar and snag your own copy of this (now) digital comic.

Creating the Pandora Zwieback #0 Cover, Part 1

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Sometimes a cover idea immediately pops up when you’re putting together a book, comic, or graphic novel—as you’ve witnessed in my previous posts, outlining the process involved in putting together the covers for the Pandora Zwieback novels Blood Feud and Blood Reign, and the cover for IndyFest Magazine #85. Other times, you just kind of stumble into one, as in the case of The Saga of Pandora Zwieback #0…

Around mid-2010, I’d decided that I’d make the announcement of StarWarp Concepts’ triumphant return to publishing at New York Comic Con, that annual geekfest held in October. But rather than just set up a booth and hand out bookmarks and catalogs promoting the company’s upcoming titles, for Pan I wanted to go an extra step to really get some attention: StarWarp Concepts was going to publish its first comic book in eight years—and it was going to be a giveaway. But first, it needed an artist.

I’d just worked with a Portuguese artist named Eliseu “Zeu” Gouveia on a proposed revival of my succubus character, Lorelei—and one of these days you may get to see those pages—so I e-mailed him and asked if he’d be interested in this new project. Well, of course he was! And he could deliver final art and digital color by the deadline I gave him. What he needed, though, was a script, so I got to work on my part of the job.

Here’s where the unexpected cover comes in. With the script delivered, Zeu started penciling pages, one of which involved Pan making a sales pitch for Blood Feud directly to the comic’s readers:

PAGE 6
PANEL 1: LARGE PANEL (so we can fit in the important information about the book). Pan holds up a copy of Blood Feud [a Photoshopped insert of the cover image] next to her head so we can all get a good look at the cover.

1. PAN: PRETTY WILD, HUH? AND THE FUN ALL STARTS IN THE FIRST NOVEL:

2. DISPLAY TYPE: BLOOD FEUD: THE SAGA OF PANDORA ZWIEBACK, BOOK 1

3. PAN: THAT’S WHERE ANNIE AND ME WIND UP IN THE MIDDLE OF A WAR AMONG RIVAL VAMPIRE CLANS, WITH THE SAFETY OF THE WHOLE WORLD AT STAKE! (no pun intended)

4. PAN: IT GOES ON SALE [Date to be inserted].

5. PAN: IN THE MEANTIME, YOU CAN ORDER A COPY BY USING THE COUPON ON PAGE 8 OF THIS COMIC, OR BY VISITING MY WEB SITE

6. DISPLAY TYPE: WWW.PANDORAZWIEBACK.COM

7. PAN: WHERE YOU’LL ALSO FIND ALL THE LATEST NEWS ABOUT MY BOOK SERIES!

PANEL 2: A smaller, inset panel near the bottom right-hand corner of the page. Pan, interrupted in the middle of her sales pitch, looks off-panel at a voice calling to her.

8. PAN: AND DON’T FORGET TO VISIT MY PUBLISHER’S SITE, STARWARPCONCEPTS.COM, TO CHECK OUT THEIR OTHER PROJ—

9. SHEENA: (off-panel) HEY, ATTENTION WHORE!

But when Zeu e-mailed jpegs of his penciled pages, what I saw instead for page 6 was this:

Pan0-CvrPencils

Which, as I’m sure you’ll agree, is an awesome image of Pan happily running toward danger and dragging Annie along with her, and which perfectly sums up my approach to Pan, who as a horror fan is thrilled to go on horror-related adventures…but it wasn’t an image of Pan doing her best impression of a huckster selling Blood Feud to the masses.

A revision would be needed…

To Be Continued!

Pandora Zwieback: Creating an IndyFest Magazine Cover

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At the start of this month, Dimestore Productions released IndyFest Magazine #85, the latest issue of their monthly spotlight on independent publishing, music, filmmaking, and other topics. IndyFest #85 features a profile of StarWarp Concepts and yours truly, and cover art by Eliseu “Zeu” Gouveia, with whom I’ve collaborated on The Saga of Pandora Zwieback #0, The Saga of Pandora Zwieback Annual #1, and Lorelei: Sects and the City—and which you can download for free from the IndyFest site. (So what’re you waiting for? Go snag a copy!)

A few months back, I e-mailed IndyFest’s publisher, Ian Shires, and asked if he’d be interested in interviewing me for an upcoming issue, so that I could spread the word about StarWarp Concepts and the Pandora Zwieback series. Ian—having been a fellow small-presser back in the day when we each produced photocopied, hand-stapled comics—remembered me and, especially, remembered my succubus character, Lorelei, so he said he’d love to run a feature article if I could provide him with artwork for the issue’s cover—say, an art reproduction from one of SWC’s books. I said, “I’ll do you one better: how about an original illustration of Pan and Lori crossing paths?” Naturally, Ian liked the idea.

So I contacted Zeu, explained the situation, and said, “I don’t have anything specific in mind; maybe a cemetery setting? Just take your best shot at coming up with something.” The result was this:

IndyFest cover1I couldn’t help but grin. Cover images of old issues of Marvel Team-Up and Marvel Two-in-One—Marvel Comics series starring, respectively, Spider-Man and the Thing (from the Fantastic Four), who got together every month with a special guest star (Daredevil, Iron Man, the Black Widow, etc.) to fight bad guys—popped into my head. This was exactly the sort of dramatic image I was looking for!

However, a bit of tweaking was required. Having taken a look at previous issues of IndyFest, I noticed they always placed their oversized EAN box and issue number in the lower right-hand corner. I thought maybe the magazine’s designer could shift them a little to the left so that Pan’s leg could straddle the number and box, but then Zeu solved the problem with an updated sketch.

IndyFest cover2

Why, this one worked even better! Now it was an image with a story to it—or at least a story that suddenly hit me. I e-mailed Zeu and said, “Hey, that crypt Pan is kneeling on? Can you put the name Laurel Ashley O’Hara on it? That’s Lori’s real name, so it’ll look like Pan’s investigating the grave and Lori’s not too happy about some gothy Nancy Drew poking around.” So Zeu made adjustments, and…

IndyFest cover3

Sold! I gave him the go-ahead, and before you knew it, I had the finished art:

Pan-Lori

Spectacular! There was room at the top for the magazine logo, the bottom right-hand corner had plenty of space to accommodate the EAN box and issue number, and room for cover copy on the upper left and lower right, without the need to run text over either Pan or Lori. So I passed it along to IndyFest and, at the beginning of June, when the issue was published, I saw…er…this…

IndyFest85-cvr

Hm. Well, that was disappointing. I knew the IndyFest logo was going to be placed over Lori’s hair, but that’s sure a lot of text and large-size letters on that cover—and don’t think I missed that my name is used to cover Lori’s cleavage. And what’s with the call-out images covering the bottom left-hand corner—and Lori’s headstone?

The first thing I did, after putting the word out that the issue was available for download, was contact Zeu and apologize for how all his hard work turned out, because I felt awful about it.

But it has given me an idea for a Pandora Zwieback & Lorelei crossover comic that would display this cover art in all its proper glory… 😀

Next: My spur-of-the-moment Salute to Cover Designs Week celebration continues tomorrow with a look at the process behind the cover for The Saga of Pandora Zwieback #0. Join me, won’t you?

Pandora Zwieback: Creating Blood Reign’s Cover, Part 2

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Zeu-Pan2TonedWelcome back to the story behind the creative process that went into formulating and executing the cover art and design for my second Pandora Zwieback novel, Blood Reign. As I explained last time, it began with my commissioning of artist Bob Larkin to paint the cover art, using as a template a Tomb of Dracula magazine cover he’d done for Marvel Comics in 1979. But since the version I had in mind was going to replace the victim with Pan and Dracula with Lady Kiyoshi Sasaki, leader of Blood Reign’s House Otoyo vampire clan, and I knew that Bob was unfamiliar with the fashion style Kiyoshi favors—called Elegant & Gothic Lolita—I brought in Eliseu “Zeu” Gouveia, artist of the Pandora Zwieback comics and the graphic novel Lorelei: Sects and the City, to design Kiyohi’s look.

Zeu’s first attempt (which I showed you in the previous post) was good, but not quite what I was looking for, considering both Pan and Kiyoshi were wearing black, which meant the potential existed for the characters to “bleed together” into one giant mass when seen at a distance. Something was needed to separate the two, and Zeu’s solution was to give Kiyoshi a white blouse. Problem solved! After he tightened the pencil art and inked the final illustration, I sent it over to Bob, who popped it into Photoshop to add the sort of cliff edge and lightning bolts found in his Dracula painting. The result was what you see up top (click to enlarge).

BloodReign_ArtOne change I asked Bob to make for the painting was to replace the heels on Pan’s boots with thick, flat soles, for three reasons: heels would be too impractical for all the adventuring (running, jumping, kicking, etc.) she’d be doing; thicker soles are her way of compensating for the fact she’s shorter than pretty much everyone around her; and Pan hasn’t mastered the art of walking on high heels—a scene in Blood Feud shows her wearing a pair of dressy pumps when she gets together with her friends, but spending most of her time wobbling around on them. She refuses to take them off because, well, she’s Pan. No stupid shoes are gonna show her who’s boss. But other than that, I told Bob, all systems were go for the painting. And, once again, when he delivered the final art he didn’t disappoint. (Of course, I knew he wouldn’t—that’s why I hired him.)

After that, it was just a matter of turning the art over to Mat Postawa, who’d set the tone for the series look with his design for the cover of the first Pan novel, Blood Feud. When all was said and done, the final cover came out as this:

BloodReign-FinalCvrSpiffy, right? Just as Blood Feud’s cover design had touches of red to complement the “river of blood” in Bob’s painting for that book, Blood Reign’s played off the blue tones in the stormy sky. Of special note is the “devil girl” symbol on Pan’s T-shirt—a manga-influenced version of the one on Blood Feud’s cover—only this one was whipped up by Pan’s original designer, Uriel Caton! I’d asked Uriel to contribute to the process in some way, and once I saw this design I not only wrote it into the novel (as a T that Pan’s boyfriend, Javi, gives her), but also decided that a running joke in the books (and covers) could be that folks are always giving Pan devil-girl shirts (the first, in Blood Feud, was a gift from Mom)—which she has to wonder is meant to be a comment on her personality.

So there you have it: the VH1 “Behind the Cover” story of Blood Reign. And what about the werewolf-centric Stalkers, the third cover that Bob painted so I’d have a complete convention banner? Well, that got bumped to book 4 in the series, replaced by Blood & Iron, which will wrap up the vampire war storyline of Blood Feud and Blood Reign—and whose cover was painted by an artist named Candra. We’ll get to the stories on each of those covers when the time comes.

Next: We’re not done with the cover analyses just yet! Tomorrow I’ll show you what went into the creation of the cover for the recently published IndyFest Magazine #85—an illustration by artist extraordinaire Zeu that depicts the first-ever meeting of Pan and StarWarp Concepts’ first lady of horror, the succubus called Lorelei!

Pandora Zwieback: Creating Blood Reign’s Cover, Part 1

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Yesterday, I finished up the story behind the creation of the cover for the first Saga of Pandora Zwieback novel, Blood Feud. It was fairly simple in construct: I did a sketch of what I was looking for, handed it off to painter Bob Larkin, and he took it from there. Once Bob had delivered the final art, it went to designer Mat Postawa, who crafted the final look of Blood Feud’s cover. For the second novel, Blood Reign, however, I wanted something a bit more storytelling in its imagery—something that would end up making it a two-artist situation.

Now that the heroine’s-first-issue cover approach had been taken care of by using it for Blood Feud, the idea this time around was to create a dramatic image that would catch the eye of potential book buyers and entice them to explore the novel behind the cover. Of course, Bob Larkin was going to paint this cover, too, so I knew the final results would be amazing—but what, exactly, was I looking for him to paint? And then I remembered a first-issue cover that Bob had painted for Marvel Comics’ Tomb of Dracula magazine, back in 1979.

Tomb_of_Dracula1

The composition was exactly what I wanted, so I did what any smart-thinking publisher would do: I asked Bob to knock off the Dracula painting for Blood Reign. 😀 Just substitute Dracula with Lady Kiyoshi Sasaki, leader of Blood Feud’s Japanese vampire clan, House Otoyo, and replace the damsel in distress with Pan. Bob was okay with that, and was prepared to start sketching, but then I realized something: Since Kiyoshi’s wardrobe, as well as that of her entire clan’s, was based on Elegant & Gothic Lolita fashion—think nineteenth-century clothing with a modern-day twist, popular with not just Japanese youth, but American cosplayers—I’d be asking Bob to try and figure out a clothing style he’d never heard of, and be accurate about it so the image wouldn’t annoy Goth Lolis (as they’re known). My solution? Get another artist to design Kiyoshi and her dress, and then have Bob use that for the painting.

ZeuPanCvrEnter: Eliseu “Zeu” Gouveia, then-artist of The Saga of Pandora Zwieback #0, the free comic that introduces readers to Pan’s world (and still available for download; just click the link to obtain your own copy). Being something of a manga and anime fan, Zeu immediately understood what I was looking for, and soon enough came up with a design for Kiyoshi that he incorporated into the sketch you see here (click to enlarge), based on Bob’s Tomb of Dracula cover. A good start, but I thought the top half of Kiyoshi’s outfit was too oversized—she kinda looks like she’s wearing football shoulder pads—and that her all-black clothes set against Pan’s all-black clothes would be hard to see at a distance. Also, I wanted her looking forward; having her head turned sideways just raises the question “What’s she supposed to be looking at?”

So Zeu went back to the literal drawing board for a second-round sketch…

Next: The exciting conclusion to this pulse-pounding tale of cover artists and Gothic Lolitas!

IndyFest Magazine Profiles StarWarp Concepts

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IndyFest85-cvr

Good news, everyone! StarWarp Concepts is the cover feature of Dimestore Productions’ just-published IndyFest Magazine #85, in which Managing Editor Ellen Fleischer interviews author and SWC publisher Steven A. Roman (that’s me) about the company’s critically acclaimed releases—including my novel series, The Saga of Pandora Zwieback—and SWC’s first lady of horror, Lorelei. Just as exciting is the fact that the cover art is a special illustration of Pan crossing paths with Lori, by Eliseu “Zeu” Gouveia, artist of SWC’s The Saga of Pandora Zwieback #0, The Saga of Pandora Zwieback Annual #1, and Lorelei: Sects and the City!

Although the print version retails for $6.00, you can obtain the digital edition of IndyFest Magazine #85 for free from Dimestore’s website; just download the issue from right here.

IndyFest is the brainchild of publisher Ian Shires, one of the mainstays of small-press comic book publishing. Back in the early, early days of The ’Warp, when it was just me writing and drawing Lorelei comics, publishing things like the original version of Richard C. White’s Troubleshooters, Incorporated, and printing everything on photocopiers, Ian was one of the fellow self-publishers I bought mini-comics from (I think it was his series Dungar the Barbarian). His Dimestore Productions house has grown significantly since then—as has The ’Warp—so it was nice to be in touch with him again. And special thanks go out to IndyFest managing editor Ellen Fleischer for setting up the ’Warp coverage!

Now head over to Dimestore Productions and get your free digital copy of IndyFest Magazine #85!

And don’t forget SWC’s latest releases, which are now on sale: my young adult, dark-urban-fantasy novel Blood Reign: The Saga of Pandora Zwieback, Book 2 continues the monster-fighting Goth girl’s struggles to prevent a monster takeover of the world; and in Lorelei Presents: House Macabre, the flame-tressed succubus tries her hand at hosting a horror anthology comic, in stories written by yours truly and Dwight Jon Zimmerman, with art by Uriel Caton & “Chainsaw” Chuck Majewski, Lou Manna, John Pierard, and Juan Carlos Abraldes Rendo.

Proof That Happy Goths Love Zwieback

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henar-torinos-pan-annualWhat you see here is a photograph of Spain’s very own mega-talented artist, writer, and self-described “happy Goth,” Henar Torinos, holding up a copy of The Saga of Pandora Zwieback Annual #1, for which she provided the incredible cover art. She thinks it rawks! 😀

Henar made her comics debut as the creator/artist of the two-volume graphic novel series Mala Estrella (Bad Star), published by Ediciones Babylon; the series won the award for Best Manga of 2012 at Ficomic, Barcelona’s International Comic Fair. She currently works as a freelance illustrator and designer. I met her through deviantArt, the online art community, shortly after I joined; I’d been looking for artists for the Pan-themed promotion “The 13 Days of Pan-demonium,” and a site search for “Happy Goths” led me to her page—specifically, two pieces entitled “Happy Goths Exist” and “Still a Happy Goth.”

To see more of Henar’s creations, visit her deviantArt page. I’m pretty certain you’ll like what you see!

SWC_PanAnnual01The Saga of Pandora Zwieback Annual #1, published by StarWarp Concepts, is a 56-page, full-color special that contains stories by Steven A. Roman (that’s me, the author of the Pandora Zwieback novels, as well as X-Men: The Chaos Engine Trilogy) and Sholly Fisch (Scooby-Doo Team-Up, The All-New Batman: The Brave and the Bold). In addition to Henar’s wonderful cover, you’ll find art by Eliseu Gouveia (The Saga of Pandora Zwieback #0), comic-art legend Ernie Colon (Amethyst, Princess of Gemworld), and Elizabeth Watasin (writer/artist/creator of the comic series Charm School and the steampunk novel series The Dark Victorian). The comic is available in both print and digital formats, so visit the Saga of Pandora Zwieback Annual #1 product page for all the ordering information, as well as sample pages.

SWC Backlist: Carmilla

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Carmilla_CoverContinuing our review of SWC’s backlist, today we look at our most popular illustrated classic, Carmilla. Written by J. Sheridan Le Fanu (Uncle Silas, In a Glass Darkly), this 19th-century vampiric romance has influenced generations of writers from Bram Stoker to Laurel K. Hamilton, and has been adapted for the screen many times, including Hammer’s The Vampire Lovers and Roger Vadim’s Blood and Roses. The StarWarp Concepts edition features exclusive illustrations by Eliseu Gouveia (The Saga of Pandora Zwieback Annual #1, The Saga of Pandora Zwieback #0).

It’s also part of the Pandora Zwieback “Paniverse,” since Carmilla’s House Karnstein is one of the vampire factions that appear in the novel Blood Feud: The Saga of Pandora Zwieback, Book 1 and the upcoming second book, Blood Reign. Here’s the synopsis:

Before Edward and Bella, before Lestat and Louis, even before Dracula and Mina, there was the tale of Carmilla and Laura.

Living with her widowed father in a dreary old castle in the woods of Styria, Laura has longed to have a friend with whom she can confide; a friend to bring some excitement to her pastoral lifestyle. And then Carmilla enters her life.

Left by her mother in the care of Laura’s father, Carmilla is young, beautiful, playful—everything Laura had hoped to find in a companion. In fact, the lonely girl is so thrilled to have a new friend that she is willing to overlook the dark-haired beauty’s strange actions…which include a disturbing, growing obsession for her lovely hostess.

Carmilla, it seems, desires more than just friendship from Laura….

“The way Le Fanu blends together desire and predation is spellbinding. A true Gothic story, Carmilla is great fun.”—Gothic Beauty Magazine

“Carmilla is a must-read for any true fan of vampire fiction.”—LoveVampires.com

“Like many vampire romances, Carmilla and Laura’s love is doomed and unhealthy, but glorious.”—io9

Carmilla is on sale in print ($10.95 US) at Amazon, Barnes & Noble, and Books-a-Million. The e-book ($2.99) is available from DriveThru Fiction. Both print and e-book formats can be purchased from the StarWarp Concepts webstore.

Visit the Carmilla product page for the sales links.

Now that I’ve gotten your attention with the first three parts of StarWarp Concepts’ review of backlist titles, are you Panatics interested in checking out the rest of its releases? Then tomorrow head on over to the SWC blog to learn about the dark-fantasy graphic novel Troubleshooters Incorporated: Night Stalkings. Written by the husband-and-wife team of Richard C. White and Joni M. White, and illustrated by Reggie Golden and Randy Zimmerman, it’s the first adventure of a supernatural superhero-team-for-hire; the group consists of a wizard, a sorceress, a female ninja, an armored rock-n-roll roadie, and a werewolf—all fighting demons!

Please support StarWarp Concepts by purchasing one of our books. Thanks!

Coming tomorrow: Blood Reign, the second Pandora Zwieback novel, is on its way! But if you can’t stand the suspense of learning the outcome of Blood Feud’s cliffhanger ending, then stop by here tomorrow for some exciting news!

SWC Backlist: The Saga of Pandora Zwieback Annual #1

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pan_annual_lgContinuing our review of SWC’s backlist, today we look at our young adult dark-urban-fantasy comic book The Saga of Pandora Zwieback Annual #1, written by Steven A. Roman and Sholly Fisch, and illustrated by Eliseu Gouveia, Ernie Colon, and Elizabeth Watasin, with cover art by Henar Torinos. Here’s the synopsis:

Pan’s first full-length comic book adventure! Chasing monsters can be a lot of hard work, and Pan tries to get her chaotic life back in order by attending a family picnic hosted by the parents of her boyfriend, Javier. But relaxing becomes impossible when one of Javi’s ex-girlfriends arrives to complicate things. Stupid mythological siren…

“Song of the Siren” features a script by Saga of Pandora Zwieback novelist Steven A. Roman and full-color art by Eliseu Gouveia (The Saga of Pandora Zwieback #0). This king-size special also includes:

“After Hours,” a short tale of the “Paniverse” by writer Sholly Fisch (Action Comics, Scooby-Doo! Team-Up) and comics-art legend Ernie Colon (Amethyst: Princess of Gemworld).

“Shopping Maul,” a Pan short story by Steven A. Roman, about (blood) red-tag sales and Elegant Gothic Lolita vampires, with title page art and color by Elizabeth Watasin (Charm School).

“Roman demonstrates yet again his ability to write in the voice of a teenage girl without resorting to the petty whining and needless angst that seem to plague a lot of the female teenage characters in books today…. I would readily and heartily recommend this comic to anybody.”—Word of the Nerd

“Roman mixes young adult fantasy with some themes like ‘young love’ but also with equal parts of ‘female empowerment’ and lets Pandora be a real and true voice. The art by Eliseu Gouveia is just stellar and makes a perfect match for the main story.”—Comics For Sinners

The Saga of Pandora Zwieback Annual #1 is on sale in print ($7.99 US) at Amazon and Barnes & Noble. The e-book ($3.99) is available from DriveThru Fiction. Both print and e-book formats can be purchased from the StarWarp Concepts webstore.

Visit The Saga of Pandora Zwieback Annual #1 product page for the sales links.

Please support StarWarp Concepts by purchasing one of our books. Thanks!