(From the Horror Street collection!)
Happy Friday the 13th, 2024!
Category Archives: Horror Art
Horror Street: Long Island City Demons, 1990s
Welcome back to Horror Street, my ongoing journey in search of awesome yet spooky graffiti art on the streets and little-traveled corners of New York City!
Our latest entry goes waaay back, to the early 1990s, during one of my wanders through Long Island City, the eastern area of Queens, NY, that’s become all the rage for real estate developers in the last decade or so, with high-rise apartment buildings springing up in what used to be an industrialized neighborhood (which explains how Queens recently became listed as one of the most expensive “cities” in America, rent-wise!).
But before the area was transformed into a place to be, it was a place to avoid…because it was roamed by graffiti demons!
I don’t recognize the characters, but they look inspired by either Japanese anime, or video games (or maybe a ’90s animated series?); looks really good, though. (I apologize for the quality of the photo, but back then I was using disposable cameras loaded with actual film, which was processed by a local pharmacy. Stone Age photography!) And, as often happens with street art, the next time I passed through that area, maybe a year later, the mural was gone, replaced by someone else’s art.
Stay tuned for further installments of Horror Street—there’s plenty of macabre graffiti art to be found on the streets of New York, if you look in the right creepy places! And be sure to check out my previous HS entries, like the Brooklyn Vampire, the demonic D-Rod, and the Spooky Forest!
Horror Street: Happy Halloween!
Welcome to another installment of Horror Street, my ongoing journey in search of awesome yet spooky graffiti art on the streets and little-traveled corners of New York City!
Today, in honor of Halloween, we have on display a little demon artwork for your enjoyment: the eerie New York Oni, a fantastic mural I came across during my wanderings in Long Island City, Queens, way back in 2016.
The oni is a cave- and mountain-dwelling demon found in Japanese folklore that doesn’t just like to kill wayward travelers, it likes to eat them, too (would that make them distant cousins of Leatherface from The Texas Chain Saw Massacre?). For more information on these devilish creatures, check out this entry at Yokai.com.
Stay tuned for further installments of Horror Street—there’s plenty of macabre graffiti art to be found on the streets of New York, if you look in the right creepy places! And be sure to check out my previous HS entries, which include such sights as the Brooklyn Vampire, the demonic D-Rod, the regal Griffin, and even a trip to the Ghostbusters firehouse!
Have a safe and happy Halloween!
That Time Pan Cover Artist Bob Larkin Met The Meg
Out in movie theaters right now is Meg 2: The Trench, the follow-up to the surprisingly popular 2018 giant-shark movie in which action star Jason Statham (The Fast and the Furious and Expendables franchises) fought two megalodons; this time, he’s got a whole aquarium full of giant underwater monsters to battle!
You know who else has had an encounter with a megalodon? Our friend Bob Larkin, who’s spent a four-decade career painting all manner of colossal beasts from beneath the sea—as well as from outer space!—in a host of covers and movie posters for just about every publishing house and film studio.
Doc Savage, Dazzler, Star Wars, Star Trek, The Savage Sword of Conan the Barbarian, Piranha, Night of the Creeps, Humanoids from the Deep, and Godzilla are just some of the painted images you’re already familiar with, even if you didn’t know they were Larkin’s work. He’s been an inspiration to artists like Joe Jusko and Alex Ross. Around these parts, Bob was the cover artist of my Pan novels Blood Feud and Blood Reign.
Bob’s connection to The Meg is that he was a cover artist for one of the printings of The Trench, author Steve Alten’s follow-up novel to his 1997 bestseller Meg: A Novel of Deep Terror, and the basis for Statham’s Meg 2: The Trench—which means Bob got to paint a giant shark!
What you see here are the original painting and its final printed version. As to why the book has a reversed color scheme, Bob explained it this way to me:
“[The original painting] is what the art director and author wanted: an all-white shark with big teeth, in color. But then they decided to make the shark negative with the red eye; I couldn’t understand why. Scarier? They’re both scarier, to a degree. I did the painting in 1999 and didn’t sign it, like a lot of my rush covers.”
Impressive, right? But like I always like to say, it’s not just his painting skills that are impressive—Bob’s also an amazing pencil artist, as evidenced by the StarWarp Concepts art book that showcases his work. Cue the shameless plug!
The Bob Larkin Sketchbook is a collection of some of Bob’s incredible pencil drawings, and what you’ll discover when you see them—behind that eye-catching cover featuring Ms. Zwieback—is how wide-ranging his subjects are. Sci-fi, horror, Westerns, pulp adventure, crime fiction, movie merchandise, even wrestling stars—as we say on the book’s back cover, there really is little that he hasn’t painted.
The sketchbook also features three pieces created especially for it: the Pan-portrait cover art; a portrait of Patricia Savage, the fightin’ cousin of pulp fiction’s top-tier adventurer, Doc Savage, the Man of Bronze; and a two-page spread in which Doc faces off against another Golden Age crimefighter—The Shadow!
The Bob Larkin Sketchbook is available in print and digital formats. Visit its product page at StarWarp Concepts for ordering information.
Horror Street: Happy 90th Anniversary, King Kong!
Welcome back to Horror Street, my ongoing journey in search of awesome yet spooky graffiti art on the streets and little-traveled corners of New York City!
Today’s subject is the one and only King Kong, who celebrates his 90th anniversary today. It was March 3, 1933, when Kong made his big-screen debut with the worldwide premiere in New York City of his soon-to-be-classic film. The creation of movie producer Merian C. Cooper and author Edgar Wallace, brought to stop-motion life by effects master Willis O’Brien, King Kong went on to become a worldwide cultural icon that inspired generations of Monster Kids who grew up to be directors, writers, and special-effects creators.
He’s also inspired artists, as you can see here. It was in September 2021 that I first came across this graffiti mural in Long Island City, Queens, but a recent check last week showed that it’s still there. It’s an incredible piece of art, don’t you think?
It’s the work of Calicho Arevalo, a Colombian-born mural artist who arrived in New York in 2018 to share his artistic gifts. In this Third Rail interview with Arevalo, you can learn a great deal about his background and check out some photos of the Kong mural in progress.
Kong’s popularity also inspired the folks at Pan’s publisher, StarWarp Concepts, to add the story of the king of the simian monsters to their line of Illustrated Classics, joining Edgar Rice Burroughs’s sci-fi adventure A Princess of Mars, J. Sheridan Le Fanu’s vampiric love story Carmilla, and the Brothers Grimm’s childhood tale Snow White.
King Kong is a republication of the 1932 novelization of the original movie classic. Written by Delos W. Lovelace, based on the story by Edgar Wallace and Merian C. Cooper and the screenplay by James A. Creelman and Ruth Rose, it includes scenes that didn’t appear in the final cut of the film—including the notorious “spider pit” sequence in which Kong’s human pursuers are attacked by horrific arachnids and insects. The SWC version features six original black-and-white illustrations by comics artist Paul Tuma, whose work has appeared in the pages of The Twilight Zone, Paul Kupperberg’s Secret Romances, and Bloke’s Terrible Tomb of Terror.
Not familiar with the beauty-and-the-beast story of Kong and his “love interest,” Ann Darrow (who was played in the 1933 original by the queen of the scream queens, Fay Wray)? Well, here’s our edition’s back-cover copy to bring you up-to-date:
Ann Darrow was a down-on-her-luck actress struggling to survive in Depression-era New York when she met moviemaker Carl Denham. He offered her the starring role in his latest film: a documentary about a long-lost island—and the godlike ape named Kong rumored to live there. Denham needed a beauty as a counterpart to the beast he hoped to find, and Ann was the answer to his prayers.
Mystery, romance, a chance to turn her life around, even the possibility of stardom—to Ann, it sounded like the adventure of a lifetime! But what she didn’t count on were the horrific dangers that awaited her on Skull Island—including the affections of a love-struck monster…
King Kong (the 1932 novelization) is available as a digital exclusive, so visit its product page at StarWarp Concepts for ordering information.
Stay tuned for further installments of Horror Street—there’s plenty of macabre graffiti art to be found on the streets of New York, if you look in the right creepy places! And be sure to check out my previous HS entries: the Brooklyn Vampire, Jason Voorhees, and many more!
Horror Street: Happy Friday the 13th (Part 1)!
It’s the first of two Friday the 13ths this year—today and, appropriately enough, in October, right in the heart of Spooky Season. And since it isFriday the 13th, there’s no better time than right now to post the latest addition to Horror Street, my ongoing journey in search of awesome yet spooky graffiti art on the streets and little-traveled corners of New York City!
Jason Voorhees, the murderous, hockey-mask-wearing star of the Friday the 13th movie franchise—including my favorite entry, Freddy vs. Jason—in which he goes toe-to-toe…er, machete to finger-knives with Freddy Krueger of Nightmare on Elm Street fame—is the subject of this piece of graffiti art that I came across in 2021, in a dead-end street (how appropriate!) in the East Williamsburg area of Brooklyn. I don’t know who the artist is—I can’t make out the signature—but the piece was too good notto take a picture of it!
Stay tuned for further installments of Horror Street—there’s plenty of macabre graffiti art to be found on the streets of New York, if you look in the right creepy places! And be sure to check out my previous HS entries, which include such sights as the Brooklyn Vampire, the demonic D-Rod, and the regal Griffin!
Happy Godzilla Day 2022!
It was on November 3, 1954, that the atomic-powered dinosaur Godzilla made his big-screen debut in Japan as the king of the monsters in the now-classic kaiju film Gojira (which became Godzilla when it reached the United States). And today, 68 years after Toho Studios first unleashed their monster, he’s still as popular as ever.
At its heart, Gojira is a metaphor for the horrors of radiation sickness and widespread destruction experienced by the Japanese citizens as a result of the US dropping atomic bombs on the Japanese cities of Hiroshima and Nagasaki in 1945 to force an end to World War II. But it didn’t take long for audiences to look beyond the message and also recognize it as an outstanding monster movie, and to make Godzilla a worldwide icon.
So, how can you celebrate this special day? Well, you could have your own, personal movie marathon. In addition to the original Gojira and the long list of Toho-produced films that followed (including Destroy All Monsters, King Kong vs. Godzilla, The Return of Godzilla, and the most recent, Shin Godzilla), you can watch Legendary Pictures’ trilogy of Godilla (2014), Godzilla: King of the Monsters (2019), and Godzilla vs. Kong (2021). Plus there’s the Toho-Netflix animated trilogy Godzilla: Planet of the Monsters (2017), Godzilla: City on the Edge (2018), and Godzilla: The Planet Eater (2018). There’s plenty of Big G adventures to enjoy.
With regard to the original Godzilla movies, the art you see up top is by my friend Bob Larkin, who you might recognize as the cover painter for the Pan novels Blood Feud and Blood Reign. Bob did this cover for Marvel Comics’ Monsters of the Movies, a short-lived series that was meant to be their answer to Famous Monsters of Filmland, which was the gold standard of horror entertainment magazines covering movies and TV shows from the 1950s to the early 1980s. This particular image was done to promote issue 5’s cover story, “Godzilla: Tokyo’s Greatest Nemesis,” an overview of the Toho movies from the original up to 1973’s Godzilla vs. Megalon. Bob provided covers for five of MotM’s eight issues.
And speaking of the talented Mr. Larkin, if you’re a fan of great art, Pan’s publisher, StarWarp Concepts, has a book you might just be interested in…
The Bob Larkin Sketchbook is a collection of some of the incredible pencil drawings by the legendary cover painter for Doc Savage, Spider-Man, the X-Men, Star Trek, Star Wars, Planet of the Apes, and many other pop-culture icons. What you’ll discover when you see this collection is how wide-ranging his subjects are. Sci-fi, horror, Westerns, pulp adventure, crime fiction, movie merchandise, even wrestling stars—as we say on the book’s back cover, there really is little that he hasn’t painted.
The sketchbook features three pieces created especially for it: the Pandora Zwieback cover art you see here; a portrait of Patricia Savage, the fightin’ cousin of pulp fiction’s top-tier adventurer, Doc Savage, the Man of Bronze; and a two-page spread in which Doc faces off against another Golden Age crimefighter—The Shadow!
The Bob Larkin Sketchbook is available in print and digital formats. Visit its product page at StarWarp Concepts for ordering information.
Horror Street: Happy Halloween!
Welcome back to Horror Street, my ongoing journey in search of awesome yet spooky graffiti art on the streets and little-traveled corners of New York City!
Today is Halloween, as you’re obviously aware, so who better to scare the back streets of NYC than Oogie Boogie, the malevolent ghost haunting producer Tim Burton and director Henry Selick’s stop-motion-animation classic The Nightmare Before Christmas?
I came across this particular specter as I strolled along Metropolitan Avenue in Brooklyn’s East Williamsburg neighborhood in September 2021, during my pandemic-inspired wanderings through the less-populated industrial areas of New York City. No way to identify the artist, unfortunately—it had been tagged by others who no doubt painted over the signature. Still, it’s a great piece of art, and perfect for getting you into the holiday mood!
Be sure to check out my previous Horror Street entries. And stay tuned for further installments of Horror Street—there’s plenty of macabre graffiti art to be found on the streets of New York, if you look in the right creepy places!
World Dracula Day: The True Vampires of History!
Happy World Dracula Day 2022!
What is World Dracula Day, you ask? Established in 2012 by the Whitby Dracula Society 1897, it’s the annual celebration of the first publication of Bram Stoker’s seminal novel, Dracula, on May 26, 1897—which would make today its 125th anniversary!
To celebrate, you could, of course, read the novel, or perhaps watch the 1931 film adaptation starring Bela Lugosi (or its Spanish-language version, starring Carlos Villarias) or the Frank Langella adaptation from 1979; maybe have a marathon of the Hammer Films’ Dracula series starring Christopher Lee as the count and Peter Cushing (who would have turned 108 today!) as his nemesis, Van Helsing; or perhaps even watch the unauthorized 1922 movie adaptation Nosferatu—which celebrated its 100th anniversary back in March—starring the unforgettable Max Schreck as the rat-faced Count Graf Orlok.
Right now, though, let’s take a trip through the Horror Comics Archives for an appropriate spooky story! Here we have “True Vampires of History!,” a one-page terror tale that first appeared in Adventures into the Unknown! #54, published in April 1954 by ACG (American Comics Group).
Although the writer is unknown—1950s comics rarely carried creative team credit—the art is by Bob Forgione (1929–1994), who started out as an assistant to Jerry Robinson, the legendary co-creator (with writer Bill Finger) of Robin the Boy Wonder and Batman’s archnemesis, the Joker. On his own, in addition to his work for ACG, Forgione provided art for such titles as Atlas/Marvel’s Strange Tales and Tales to Astonish, DC’s Our Army at War and G.I. Combat, and Charlton Comics’ The Thing, and as an uncredited artist on the pulp-hero newspaper comic strip The Phantom.
So, Happy World Dracula Day to one and all! However you celebrate the occasion, make it a fangtastic one!
Horror Street: The Visible Woman
Welcome back to Horror Street, my ongoing journey in search of awesome yet spooky graffiti art on the streets and little-traveled corners of New York City!
We return to the back streets of Brooklyn’s East Williamsburg neighborhood for The Visible Woman, a building-wide mural that graced the side of a commercial building on the corner of Gardner Avenue and Randolph Street, which I came across in September 2021 during my pandemic-inspired wanderings through the less-populated industrial areas of New York City. Delivery trucks zipping up and down the streets made it impossible for me to get a wider shot of the mural, so here’s a pic courtesy of Google Street Views. And yes, the bottom half had been just as tagged by others when I took my photo; a shame, really.
The mural is the work of a graffiti artist named Nychos, who’s a member of the Brooklyn artist community called the Bushwick Collective. And to see the unblemished version of the original painting, check out this YouTube drone camera footage taken after the mural’s completion. Very nice work, indeed. And appropriately horrific for us!
Be sure to check out my previous Horror Street entries. And stay tuned for further installments of Horror Street—there’s plenty of macabre graffiti art to be found on the streets of New York, if you look in the right creepy places!