Free Comic Book Summer? Where’d that come from? Isn’t it supposed to be Free Comic Book Day? That’s probably what ran through your mind when you saw the header for this post—and you’d be right to be confused. Free Comic Book Day—the brainchild of retailer Joe Field as a promotional tool to get people to visit their local comic shop—has been around since 2002, held the first Saturday in May and usually timed to coincide with the release of one of Marvel Films’ big summer blockbuster.
But then the novel coronavirus pandemic became all the rage during the first third of 2020, sweeping around the globe and throwing everything into chaos. Just about all businesses (the ones not considered “essential” by government officials) shut down, including movie theaters, comic book shops—and Diamond Distribution, the source of those shops’ retail products. Suddenly there was no summer blockbuster from Marvel—if you remember, it was supposed to be the long-awaited Black Widow, starring Scarlett Johanssen—no comics being shipped, and no Free Comic Book Day.
Which brings us to today, which Diamond has designated the start of Free Comic Book Summer, slated to run until September 9. During this period, the comics you should have been able to pick up all at once on a single day back in May will now be staggered throughout the summer. According to their press release:
“Comic shops will receive five to six Free Comic Book Day (FCBD) titles in their weekly shipments during each week of the promotional window. Release of these titles may vary from shop to shop, as retailers are encouraged to release the books as they see fit for their unique circumstances. Retailers may release one free title a day, may make all of that week’s free titles available at once, or any other plan that works for them. Free Comic Book Summer is designed to be flexible and customizable so retailers and fans can get the most out the event.”
As for free titles from Pan’s publisher, StarWarp Concepts, well, they’re always available for your reading pleasure, so if you missed them, then join us in celebrating Free Comic Book Summer 2020 by downloading them now!
Heroines & Heroes: A collection of comic stories and pinups all drawn by me, dating back to my days in the early 1990s small-press movement—that age of dinosaurs in which creators like me used to make our comics by printing them out on photocopiers and then stapling them by hand. In H&H you’ll find mainstream heroes and small-press heroines, and even a couple of anthropomorphic bikers. Leading off is “V-A-C-A-T-I-O-N (in the Summertime),” a three-page Wonder Woman vs. Harley Quinn story that I wrote and drew in the late ’90s as a sample for a DC Comics editor who thought I’d be a good fit for their Batman: The Animated Series comic (it didn’t work out). If you enjoyed Harley’s recent animated series or her latest movie, Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), you might get a kick out of her matching wits with the Amazon Princess (whose own movie, Wonder Woman 1984, comes out later this year). The WW/Harley matchup is followed by an adventure of small-presser Jeff Wood’s rabbit-eared superspy, Snowbuni; three pages from the long-canceled indie comic Motorbike Puppies; and an adventure of the indie superheroine The Blonde Avenger.
The Saga of Pandora Zwieback #0: A full-color introduction to the young adult novel series of the same name, hosted by Pan herself. Pan is a 16-year-old New York City Goth who’s not only a horror fangirl but someone with the rare ability to see the for-real monsters that regular humans can’t (she calls it her “monstervision”), and with the help of a 400-year-old, shape-shifting monster hunter named Sebastienne “Annie” Mazarin, she’s learning how to protect her family, her friends, and the world from the supernatural dangers out there—and maybe even have some fun while doing it. This 16-page comic features a seven-page story written by me, with art and color by Eliseu Gouveia (The Saga of Pandora Zwieback Annual#1, Carmilla, A Princess of Mars), and includes two sample chapters from Blood Feud, the first Pan novel.
Hearstopper: The Legend of La Bella Tenebrosa#1–3: Before she became Pan’s monster-hunting mentor, Sebastienne Mazarin made her debut in this short-lived, 1990s Mature Readers series from Millennium Publications. A nefarious heavy metal band has arrived in New York City, and its lead singer is more than just a sex magnet for his female fans—he’s an incubus! Will Annie put an end to his plans for worldwide chaos, or fall prey to his supernatural charms? Written by me (of course), issue 1 is drawn by Pan and Annie co-creator Uriel Caton (JSA Annual) and inker Alan Larsen; issue 2 is penciled by Uriel, Holly Golightly (School Bites), and David C. Matthews (Satin Steele) and inked by Larsen; and issue 3 is penciled by Holly, with four pages of inks by “Chainsaw” Chuck Majewski (Harvey Kurtzman’s New Two-Fisted Tales). As a special bonus, issue 3 includes a brief look at the never-published Heartstopper/Trollords, a crossover special that would have had Annie meet Harry, Larry, and Jerry, the Three Stooges–inspired trolls created by Scott Beaderstadt and Paul Fricke, written by me with pencils by Holly and Scott and inks by Bill Lavin (Troubleshooters, Incorporated: Night Stalkings).
(Warning: Heartstopper is designated a “Mature Readers” comic for violent scenes and some sexual innuendo, so younger Panatics should avoid it.)
All these comics are available for download, so visit their respective product pages at StarWarp Concepts for more information as well as sample pages.
The GO-4 is a three-wheeled, one-person scooter that you’ll find tooling around neighborhoods in search of cars to be ticketed for violations, or in parks that need to be patrolled but don’t have mounted police riding horseback. It’s not the kind of thing you’ll ever see involved in a high-speed car chase, since its top speed is around 50 mph, and what’s interesting is that in order to qualify as a “street legal” vehicle they’re registered as motorcycles.
He nodded, got out of the car, walked over to the wall beside the art—and tagged it. Then he jumped back in his ride and took off.
It’s become commonplace these days for folks to deactivate their Facebook accounts—they’re tired of the rampant political divisiveness, the self-serving actions of the company’s owner, the randomness of how it treats its account subscribers. I’ve seen publishers and authors leave it behind, usually with a pinned note to visitors explaining that if they want to keep up-to-date with that person’s or that company’s activities, they should bookmark the blogs run by those individuals. I’d toyed with the idea myself but never acted on it.
With the coronavirus outbreak wreaking havoc in the convention industry, given how impossible it is to enforce social distancing guidelines in a hall packed to capacity, it’s disappointing but no surprise that the Connecticut-based CT Horrorfest, which was scheduled for this September, has announced its cancellation, with a replacement date of September 18, 2021. I call that a smart move; it’s good to know the CTH folks are thinking of the health of their vendors, their guests, and the horror fan community.
Even with a good deal of the world on virus lockdown (what, you thought I’d call it a global Pan-demic? Too soon!), it’s that time of year again for 
The Saga of Pandora Zwieback Annual #1 is a 56-page, full-color special—with cover art by award-winning artist Henar Torinos (Mala Estrella)—with the teenaged Goth adventuress battling vampires and a jealous, man-stealing siren. It features three original stories of what I’ve termed the “Paniverse”—tales that take place within the fictional universe of The Saga of Pandora Zwieback.
