It’s the first of two Friday the 13ths this year—today and, appropriately enough, in October, right in the heart of Spooky Season. And since it isFriday the 13th, there’s no better time than right now to post the latest addition to Horror Street, my ongoing journey in search of awesome yet spooky graffiti art on the streets and little-traveled corners of New York City!
Jason Voorhees, the murderous, hockey-mask-wearing star of the Friday the 13th movie franchise—including my favorite entry, Freddy vs. Jason—in which he goes toe-to-toe…er, machete to finger-knives with Freddy Krueger of Nightmare on Elm Street fame—is the subject of this piece of graffiti art that I came across in 2021, in a dead-end street (how appropriate!) in the East Williamsburg area of Brooklyn. I don’t know who the artist is—I can’t make out the signature—but the piece was too good notto take a picture of it!
Stay tuned for further installments of Horror Street—there’s plenty of macabre graffiti art to be found on the streets of New York, if you look in the right creepy places! And be sure to check out my previous HS entries, which include such sights as the Brooklyn Vampire, the demonic D-Rod, and the regal Griffin!
It might seem hard to believe, but 2023 is the year that Pan’s publisher, StarWarp Concepts, celebrates its 30th anniversary!
After a trial run publishing a handful of small-press (in other words, digest-sized, photocopied, and hand-stapled) comics from 1989 to 1992, it was in the spring of 1993 that I officially launched SWC as an indie publisher, with the release of Lorelei #0, a 24-page black-and-white comic about a soul-stealing succubus, written by me and drawn by fellow small-presser David C. Matthews (Satin Steele, Maxwell Madd and His Wrestling Women), with cover art by Louis Small, Jr. (Vampirella, Batman). The debut issue sold well enough, back in those long-ago days of the black-and-white comics explosion in the 1990s—#1 sold even better—and the legend of the horror company with the science-fictiony name began!
The whole story of my adventures in self-publishing will be told in installments over at the SWC blog, so if you’re interested in learning the origins of Lorelei, monster hunter Sebastienne “Annie” Mazarin, and (of course) Pandora Zwieback, along with various tales of my publishing adventures, then be sure to bookmark the SWC blog and follow along.
SWC will be celebrating all year long in a number of ways, and this-here Pan blog will be occasionally joining in the festivities, so get ready for some fun!
For those who might have missed the livestream, last night I joined the latest laid-back panel discussion on J.D. Calderon’s YouTube interview series Indy Comics Explained, on the latest installment of his ongoing panel-chat series “Talking Comics on a Sunday Night.” Its topic: “Are Editors and Editing Necessary for Indy Comics?”
J.D. and his cohosts, publisher Jaydee Rosario (Unstoppable Comics) and artist C. Michael Lanning, had on former Marvel Comics editor and writer Alin Silverwood (publisher of PopSkull Press) and Odyssey Comics publisher Marcus McNeal. And me, of course! (In case you didn’t know, I was a professional mainstream editor for over a decade, first as an editor at book packaging company Byron Preiss Visual Publications, and then as editor in chief of its ibooks, inc. publishing imprint.)
It was, as the saying goes, a spirited discussion involving what an editor is, their importance to a project, and what editors expect from writers; I tossed in an anecdote or two about working with both writers and fellow editors. Then we moved on to such topics as whether any of us would have taken a chance on publishing the original Eastman/Laird version of Teenage Mutant Ninja Turtles—either back in the b&w comic days of the 1980s or today—the ins and outs of working with letterers, and promoting the participants’ various Kickstarter campaigns.
So now you know the basics, but to get the full experience, head on over to the actual “Talking Comics on a Sunday Night” panel at Indy Comics Explained and see for yourself!
Hey, comic and fiction fans! This coming Sunday night, December 18th, I’ll be making a return appearance to J.D. Calderon’s YouTube interview series Indy Comics Explained, on the latest installment of his ongoing panel-chat series “Talking Comics on a Sunday Night.”
(J.D., by the way, is the writer/creator of the fantasy series The Oswald Chronicles and the anthropomorphic fantasy comic series Tall Tails, both published through his Dream Weaver Press company. He’s also been a friend of mine since we met back in the 1990s’ days of the indie comics explosion.)
My last appearance was back in October, when I was promoting the ultimately successful Kickstarter campaign for Piko Interactive’s The Legend of Calamity Jane: Box-Set DVD and Comic, which includes The Legend of Calamity Jane: The Devil Herself, the one-shot comic I’m collaborating on with artist/colorist Eliseu Gouveia (Lorelei: Sects and the City and the Saga of Pandora Zwieback comics) for Piko’s Virtual Comics imprint.
This time around, the subject will be editing (in comics and otherwise), and considering my background as a comic and book editor for the past three decades, J.D. asked me to join him and former Marvel Comics editor and writer Gary Barnum—who writes under the pen name Alin Silverwood—for a discussion. No doubt at some point it’ll turn into a collection of trench-warfare stories about our harrowing experiences working with comic creators. 🙂
So, be sure to tune in December 18th for “Talking Comics on a Sunday Night”!
Hey, book lovers! Today marks the twelfth annual Take Your Child to a Bookstore Day!
Founded in 2010 by author Jessica Milchman, the event, held on the first Saturday in December, “is about instilling a love of bookstores in children so that they will value and support this most precious of resources as they go on to enter and create communities of their own” (according to its website).
Kids + reading + brick-and-mortar bookstores? Always a great combination!
For more information, including a map of the bookstores that are celebrating with events of their own, visit the TYCBD site.
It was on November 3, 1954, that the atomic-powered dinosaur Godzilla made his big-screen debut in Japan as the king of the monsters in the now-classic kaiju film Gojira (which became Godzilla when it reached the United States). And today, 68 years after Toho Studios first unleashed their monster, he’s still as popular as ever.
At its heart, Gojira is a metaphor for the horrors of radiation sickness and widespread destruction experienced by the Japanese citizens as a result of the US dropping atomic bombs on the Japanese cities of Hiroshima and Nagasaki in 1945 to force an end to World War II. But it didn’t take long for audiences to look beyond the message and also recognize it as an outstanding monster movie, and to make Godzilla a worldwide icon.
So, how can you celebrate this special day? Well, you could have your own, personal movie marathon. In addition to the original Gojira and the long list of Toho-produced films that followed (including Destroy All Monsters, King Kong vs. Godzilla, The Return of Godzilla, and the most recent, Shin Godzilla), you can watch Legendary Pictures’ trilogy of Godilla (2014), Godzilla: King of the Monsters (2019), and Godzilla vs. Kong (2021). Plus there’s the Toho-Netflix animated trilogy Godzilla: Planet of the Monsters (2017), Godzilla: City on the Edge (2018), and Godzilla: The Planet Eater (2018). There’s plenty of Big G adventures to enjoy.
With regard to the original Godzilla movies, the art you see up top is by my friend Bob Larkin, who you might recognize as the cover painter for the Pan novels Blood Feud and Blood Reign. Bob did this cover for Marvel Comics’ Monsters of the Movies, a short-lived series that was meant to be their answer to Famous Monsters of Filmland, which was the gold standard of horror entertainment magazines covering movies and TV shows from the 1950s to the early 1980s. This particular image was done to promote issue 5’s cover story, “Godzilla: Tokyo’s Greatest Nemesis,” an overview of the Toho movies from the original up to 1973’s Godzilla vs. Megalon. Bob provided covers for five of MotM’s eight issues.
And speaking of the talented Mr. Larkin, if you’re a fan of great art, Pan’s publisher, StarWarp Concepts, has a book you might just be interested in…
The Bob Larkin Sketchbook is a collection of some of the incredible pencil drawings by the legendary cover painter for Doc Savage, Spider-Man, the X-Men, Star Trek, Star Wars, Planet of the Apes, and many other pop-culture icons. What you’ll discover when you see this collection is how wide-ranging his subjects are. Sci-fi, horror, Westerns, pulp adventure, crime fiction, movie merchandise, even wrestling stars—as we say on the book’s back cover, there really is little that he hasn’t painted.
The sketchbook features three pieces created especially for it: the Pandora Zwieback cover art you see here; a portrait of Patricia Savage, the fightin’ cousin of pulp fiction’s top-tier adventurer, Doc Savage, the Man of Bronze; and a two-page spread in which Doc faces off against another Golden Age crimefighter—The Shadow!
The Bob Larkin Sketchbook is available in print and digital formats. Visit its product page at StarWarp Concepts for ordering information.
Welcome back to Horror Street, my ongoing journey in search of awesome yet spooky graffiti art on the streets and little-traveled corners of New York City!
Today is Halloween, as you’re obviously aware, so who better to scare the back streets of NYC than Oogie Boogie, the malevolent ghost haunting producer Tim Burton and director Henry Selick’s stop-motion-animation classic The Nightmare Before Christmas?
I came across this particular specter as I strolled along Metropolitan Avenue in Brooklyn’s East Williamsburg neighborhood in September 2021, during my pandemic-inspired wanderings through the less-populated industrial areas of New York City. No way to identify the artist, unfortunately—it had been tagged by others who no doubt painted over the signature. Still, it’s a great piece of art, and perfect for getting you into the holiday mood!
Be sure to check out my previous Horror Street entries. And stay tuned for further installments of Horror Street—there’s plenty of macabre graffiti art to be found on the streets of New York, if you look in the right creepy places!
Not interested in the classic (and some not so classic) horror films we’ve looked at this week for your Halloween viewing list? Not to worry! There are other places you can go to build your own spooky binge-a-thon (in other words, streaming services), so here are some suggestions for picking and choosing:
The Adventures of Ichabod and Mr. Toad (1949): It’s not Mr. Toad—whose story is a partial adaptation of Kenneth Grahame’s novel The Wind in the Willows—that horror fans are here for in this two-part Disney animated feature, but rather Ichabod Crane and his spine-chilling encounter witrh the Headless Horseman in this lively adaptation of Washington Irving’s “The Legend of Sleepy Hollow,” featuring the voice of Bing Crosby, who not only narrates but performs the jazzy tune “The Headless Horseman.” (He was a big deal back in the day; ask your grandparents. Or your great-grandparents.) Streaming on Disney+.
Ash vs. Evil Dead (2015–2018): Here’s something for older viewers. This sequel to the Evil Dead trilogy of movies (The Evil Dead, Evil Dead 2: Dead by Dawn, Army of Darkness) finds often reluctant but always self-absorbed hero Ash Williams (Bruce Campbell) dragged back into a confrontation with the unholy Deadites that made his life a living hell thirty years ago. Sure, there’s plenty of gore on display, but at heart it’s a comedy-action show that just happens to feature a guy who straps on a chain saw to replace his missing right hand—that he himself cut off all those years ago, when it tried to kill him! All three seasons are streaming on Netflix, Hulu, Amazon Prime, and Apple TV.
Doctor Strange in the Multiverse of Madness (2021): It’s as close as the Marvel Cinematic Universe gets to a superhero horror film, but that’s no surprise when the director involved is Sam Raimi of the Evil Dead trilogy, Drag Me to Hell, and Darkman fame (as well as the early 2000s’ Spider-Man 1–3). Stephen Strange (Benedict Cumberbatch) and new sidekick America Chavez (Xochitl Gomez) are chased across the multiverse by a Scarlet Witch (Elizabeth Olsen) turned bad, and she doesn’t care how many people she has to pulverize, turn into string cheese, or neck snap to get her way. And then there’s the ghoulish debut of Zombie Strange—not to mention a guest appearance by Ash vs. Evil Dead star Bruce Campbell! Streaming on Disney+.
It’s the Great Pumpkin, Charlie Brown (1966): A Spooky Season classic. It’s Halloween, and while the majority of the Peanuts Gang go trick-or-treating (“I got a rock,” moans eternal sad sack Charlie Brown as he checks his haul), his best friend, Linus, goes to the pumpkin patch to await the arrival of the Great Pumpkin, Halloween’s answer to Santa Claus. But is the Great Pumpkin real, or just a figment of Linus’s overactive imagination? Written by Charles Schultz, directed by Bill Melendez, and starring the vocal talents of Peter Robbins, Christopher Shea, Sally Dryer, and Kathy Steinberg. Plus a fantastic score by jazz master Vince Guaraldi. Streaming on Apple TV+.
Morbius (2022): Yes, I know it got a lot of Internet hate, but this horror-antihero translation of the Marvel Comics “science vampire” to screen really isn’t as bad as they say—at least not until the completely unnecessary post-credits scene that so desperately (and badly) tries to tie it to the MCU Spider-Man franchise. Jared Leto (Suicide Squad) is Michael Morbius, a scientist battling a rare genetic disease with a special treatment he’s develoepd—one that involves using vampire bats. As you’d expect, the treatment has some unexpected—and unwanted—side effects… Costarring Matt Smith (Doctor Who, House of the Dragon). Streaming on Netflix.
Q, the Winged Serpent (1982): An oddball classic of 1980s horror filmmaking. There’s a giant winged lizard living in New York City—and his nest is right in the legendary Chrysler Building! Q is actually the Aztec god Quetzalcoatl, the deity worshipped by a modern-day cult that’s been sacrificing New Yorkers in his name. Can the NYPD shut down the cult andfind a way to kill a living god? Written and directed by Larry Cohen (It’s Alive), and starring Michael Moriarty (Law & Order), David Carrdine (Kill Bill, Vols. 1 & 2), Richard Roundtree (Shaft), and Candy Clark (Buffy the Vampire Slayer). Streaming on Shout Factory TV.
Silver Bullet (1985): If you can overlook the terrible monster effects in this adaptation of the Stephen King/Bernie Wrightson illustrated novella Cycle of the Werewolf, you’ll find an enjoyable thriller about a young boy who discovers there’s a lycanthropic killer on the loose in his town, and realizes he might be the only one to stop it—well, him and his sister and uncle, who not only come to believe him, but offer assistance for the big showdown. Adapted by Stephen King himself, directed by Dan Atlas (The Walking Dead), and starring Corey Haim (The Lost Boys), Gary Busey (Predator 2), Terry O’Quinn (Lost), Everett McGill (Dune), and Megan Follows (Reign). Streaming on Amazon Prime, Apple TV, Roku, and Google Play.
Trick ’r’ Treat (2007): What’s Halloween without a few tales of terror? This cult-classic anthology, written and directed by Michael Dougherty (Godzilla: King of the Monsters), stars Brian Cox (X-Men 2), Anna Paquin (X-Men), and Dylan Baker (Spider-Man 2–3), all celebrating Halloween in their own special ways, with candy, spooky surprises, and copious amounts of blood! And just wait until you meet that charming little boy, Sam—he’ll be verydisappointed if you don’t have any treats to hand out… Streaming on Amazon Prime.
Wendell & Wild (2022): The comedy team of Key & Peele—actor Keegan-Michael Key (The Predator) and award–winning director Jordan Peele (Get Out, Nope)—reunites for this brand-new stop-motion-animation flick from director Henry Selick (The Nightmare Before Christmas, Coraline) about two demon brothers. Costarring Angela Bassett (Black Panther: Wakanda Forever), Ving Rhames (Mission Impossible), and James Hong (Big Trouble in Little China).
Werewolf by Night (2022): The latest entry in the Marvel Cinematic Universe, this special, based on the comic series of the same name, not only introduces Jack Russell, the titular creature of the night, but also the Marvel screen debut of the shambling swamp monster known as The Man-Thing! Directed by Michael Giacchino (who also composed the music), and starring Gael Garcia Bernal, Laura Donnelly, and Harriet Sansom Harris. (Fun fact: Werewolf by Night the comic series was where Marvel’s latest live-action superhero, Moon Knight, made his first appearance—perhaps there’s a chance for a future encounter?) Streaming on Disney+.
Witch’s Night Out (1978): This weird little animated special from Canada involves a witch whose Halloween monster party is interrupted by angry neighbors who don’t want monsters living in their town. Things get worse when her magic wand is used by others to cause further tension, but in the end everyone learns to live in harmony. Written by John Leach and Isobel Jean Rankin, directed by Leach, and starring the vocal talents of Gilda Radner (Saturday Night Live) and Catherine O’Hara (Schitt’s Creek). Streaming on Shout Factory TV.
And thus we come to the end of this Halloween viewing series for 2022. I hope you enjoyed it, and that there’s something for you and your family to watch. Or perhaps you might want to create your own Halloween programming from your personal horror movie collection—you of course have one, don’t you?
