It’s Smashwords’ Read an Ebook Week 2024!

Hey, book lovers! Today’s the day when e-book distributor Smashwords launches its annual Read an Ebook Week Sale, during which you can purchase tens of thousands of digital books at special prices! It runs March 3–9—and yes, you’ll need to set up an account (it’s free) to take advantage of this promotion. 

Included among the many participating publishers is StarWarp Concepts (of course), which means you can get the following dark-urban-fantasy digital titles at 25% off:

Blood Feud: The Saga of Pandora Zwieback, Book 1 is my young adult novel that’s perfect for lovers of dark urban fantasy.It introduces readers to Pandora Zwieback, a 16-year-old Goth girl who’s spent the last decade being treated for mental health problems because she can see monsters. It’s only after she meets professional monster hunter Sebastienne “Annie” Mazarin that Pan discovers she’s never been ill—her so-called “monstervision” is actually a supernatural gift that allows her to see into Gothopolis, the not-so-mythical shadow world that exists right alongside the human world. In Blood Feud, Pan, her parents and friends, and Annie are drawn into a conflict among warring vampire clans searching for the key to an ultimate weapon (or so the legend goes)—a key that just so happens to have been delivered to the horror-themed museum owned by Pan’s father.

In Blood Reign: The Saga of Pandora Zwieback, Book 2, Pan and Annie face even greater challenges as the vampire clans draw up plans to go to war with humanity. Leading the charge is a fallen angel named Zaqiel, whose previous attempt at subjugating the world was stopped by Annie—who, back in the day, was Zaqiel’s lover! But Pan isn’t about to let some ancient monster win the day, not when the lives of her parents and friends—along with those of every human on the planet—are at stake, so she leads a charge of her own. But whose side is going to emerge the victor remains to be seen…

And Chasing Danger: The Case Files of Theron Chase is Richard C. White’s collection of fantasy-noir, pulp-detective tales starring a private eye working the supernatural beat in the city of Calasia. From a sexy chanteuse who literally turns into a beast when the moon is full to a string of pearls that kills its owners, and from the ghost of a dead woman seeking justice to the Grim Reaper’s little girl seeking her stolen chicken, Theron Chase certainly has his hands full—of danger, death, and dames!

Read an Ebook Week Sale runs March 3–9, so head over to the StarWarp Concepts publisher page at Smashwords and start shopping!

It’s Will Eisner Week 2024!

Yes, it’s time again for Will Eisner Week: an annual celebration—held every year from March 1 to March 7—run by the Will and Ann Eisner Family Foundation, to promote literacy, graphic novels, free speech, and the legacy of the late Will Eisner, the creator of the 1940s masked crimefighter The Spirit, and one of the founding fathers of American graphic novels.

A Contract with God, A Life Force, Dropsie Avenue, and The Dreamer are just some of the fascinating tales Eisner wrote and drew, featuring ordinary people in extraordinary (and sometimes not-so-extraordinary but more slice-of-life) situations. And even though he passed away in 2005, Eisner continues to inspire generations of writers and artists. Events are being held this week around the world, so visit the Will Eisner Week site for more information.

StarWarp Concepts, of course, has its share of graphic novels and comics, with a couple that might pique your interest:

Troubleshooters, Incorporated: Night Stalkings: Perfect for superhero fans, this graphic novel is about a supernatural team of superfolk-for-hire, consisting of a wizard, a sorceress, a female ninja, a high-tech-armor-wearing rock concert lighting designer, and a werewolf. Not every superhero team has Tony Stark’s billions to play with, you understand, and the Troubleshooters are just looking to earn a living while fighting the monsters that have always lurked in the shadows. Night Stalkings presents the TSI members on their first mission: protecting a multimillionaire from a trio of Middle Eastern demons out to raise a little hell! It’s written by the husband-and-wife team of Richard C. White (For a Few Gold Pieces More, Terra Incognito: A Guide to Building the Worlds of Your Imagination) and Joni M. White, illustrated by Reggie Golden and Randy Zimmerman, and features cover art by Richard Dominguez (El Gato Negro).

The Saga of Pandora Zwieback Annual #1: Although it may not be a graphic novel, at 56 pages it’s still a pretty thick comic book, with three stories of Pan and the monsters that live in her New York City hometown. This full-color special contains: “Song of the Siren” by Steven A. Roman and artist Eliseu Gouveia (The Saga of Pandora Zwieback #0), in which Pan has to contend with her boyfriend Javier’s ex-girlfriend—who turns out to be a mythological siren; “After Hours” by writer Sholly Fisch (The Batman & Scooby-Doo Mysteries), and comic-art legend Ernie Colon (Amethyst, Princess of Gemworld), about a demon relaxing in a bar after a hard day of scaring people; and “Shopping Maul,” a short story by yours truly with title-page art by Elizabeth Watasin (Charm School), in which Pan and her friends encounter some Elegant & Gothic Lolita vampires at a shopping mall. Cover art is provided by Henar Torinos (Mala Estrella, OmniTubers Secretos).

Both titles are available in print and digital formats, so visit their respective product pages at StarWarp Concepts for ordering information, as well as sample pages.

Happy reading!

DriveThru’s New Year, New Comics 2024 E-book Sale Is On!

Holy unexpected promotions!

I just happened to drop by the home of DriveThru Comics, one of StarWarp Concepts’ e-book distributors, and saw they’re currently running a New Year, New Comics Sale, in which the first volumes of all publishers’ graphic novels are available at discounted prices. And among those bargains is…Blood Feud: The Saga of Pandora Zwieback, Book 1?

Okay, Blood Feud is a young adult novel, not a graphic novel, but it is a first volume and it does feature a cover painting by comic-art legend Bob Larkin (Star Trek, Star Wars, Vampirella, Dazzler, Doc Savage) and a frontispiece illustration by Eliseu Gouveia (The Saga of Pandora Zwieback Annual #1, The Legend of Calamity Jane: The Devil Herself, Stargate Universe), and I am the writer of the Pan Zwieback and Calamity Jane comics, so I guess that’s close enough!

Blood Feud: The Saga of Pandora Zwieback, Book 1, of course, is my young adult novel that’s perfect for lovers of dark urban fantasy. It introduces readers to Pandora Zwieback, a 16-year-old Goth girl who’s spent the last decade being treated for mental health problems because she can see monsters. It’s only after she meets professional monster hunter Sebastienne “Annie” Mazarin that Pan discovers she’s never been ill—her so-called “monstervision” is actually a supernatural gift that allows her to see into Gothopolis, the not-so-mythical shadow world that exists right alongside the human world. 

In Blood Feud, Pan, her parents and friends, and Annie are drawn into a conflict among warring vampire clans searching for the key to an ultimate weapon (or so the legend goes)—a key that just so happens to have been delivered to the horror-themed museum owned by Pan’s father!

“Far and away one of the best young adult supernatural fantasy novels. Pan is exactly the kind of teen heroine that readers should be standing up and cheering for.”HorrorNews.net

Got your interest? Good! The New Year, New Comics Sale runs now through January 19th, so head over to the StarWarp Concepts publisher page at DriveThru Comics, and (if you haven’t done so already) get introduced to Pandora Zwieback!

Smashwords’ 2023 Summer/Winter E-book Sale Is On!

Hey, book lovers! Today’s the day when e-book distributor Smashwords launches its 15th annual Summer/Winter Sale, during which you can purchase thousands of digital books at special prices! It runs from July 1 to July 31—and yes, you’ll need to set up an account (it’s free) to take advantage of this promotion. 

As for why Smashwords gives this event such an unusual name: Because Smashwords serves a global readership where it’s summer in the Northern hemisphere and winter in the Southern hemisphere. So whether you’re looking for a great beach read, or you want to curl up in front of a warm fireplace with a great read, we’ve got you covered!”

Included among the many participating publishers is StarWarp Concepts (of course), which means you can get the following digital titles at 25% off:

Blood Feud: The Saga of Pandora Zwieback, Book 1 is my young adult novel that’s perfect for lovers of dark urban fantasy.It introduces readers to Pandora Zwieback, a 16-year-old Goth girl who’s spent the last decade being treated for mental health problems because she can see monsters. It’s only after she meets professional monster hunter Sebastienne “Annie” Mazarin that Pan discovers she’s never been ill—her so-called “monstervision” is actually a supernatural gift that allows her to see into Gothopolis, the not-so-mythical shadow world that exists right alongside the human world. In Blood Feud, Pan, her parents and friends, and Annie are drawn into a conflict among warring vampire clans searching for the key to an ultimate weapon (or so the legend goes)—a key that just so happens to have been delivered to the horror-themed museum owned by Pan’s father.

In Blood Reign: The Saga of Pandora Zwieback, Book 2, Pan and Annie face even greater challenges as the vampire clans draw up plans to go to war with humanity. Leading the charge is a fallen angel named Zaqiel, whose previous attempt at subjugating the world was stopped by Annie—who, back in the day, was Zaqiel’s lover! But Pan isn’t about to let some ancient monster win the day, not when the lives of her parents and friends—along with those of every human on the planet—are at stake, so she leads a charge of her own. But whose side is going to emerge the victor remains to be seen…

And Chasing Danger: The Case Files of Theron Chase is Richard C. White’s collection of fantasy-noir, pulp-detective tales starring a private eye working the supernatural beat in the city of Calasia. From a sexy chanteuse who literally turns into a beast when the moon is full to a string of pearls that kills its owners, and from the ghost of a dead woman seeking justice to the Grim Reaper’s little girl seeking her stolen chicken, Theron Chase certainly has his hands full—of danger, death, and dames!

Again, the Smashwords Summer/Winter Sale runs July 1 to July 31, so head over to the StarWarp Concepts publisher page at Smashwords and start your summer (or winter) shopping!

Happy Free Comic Book Day 2023!

Rejoice, comic book fans, because once again it’s time for Free Comic Book Day at brick-and-mortar and online comic shops around the world! 

Free Comic Book Day is when publishers make available free print and/or digital comics for comic fans (but not free, of course, to the retailers who ordered all those comics to hand out).

Held the first Saturday in May, this year’s event is timed to coincide with the release of Marvel Studios’ latest movie—as is the case with the super space actioner Guardians of the Galaxy, Vol. 3, the concluding adventure in the Guardians Trilogy (plus the Guardians of the Galaxy Holiday Special, on Disney+) and the Marvel Universe swansong of writer/director James Gunn, who’s now in charge of guiding the superfolk of the DC Cinematic Universe to hopefully the same level of success he achieved with their properties The Suicide Squad and Peacemaker. 

(After just seeing Guardians 3, I’m really looking forward to Gunn’s DCU reboot feature Superman: Legacy, which he’s writing and directing, and the HBO Max monster-themed animated series Creature Commandos, which he also wrote.). 

And in keeping with FCBD’s fine tradition of gifting comics to fans everywhere, here are the offerings from Pan’s publisher, StarWarp Concepts, that you can download—for free!

Heroines & Heroes: A collection of comic stories and pinups all drawn by Steven A. Roman (that’s me!), dating back to my days in the early 1990s small-press movement—that age of dinosaurs in which creators like me used to make our comics by printing them out on photocopiers and then stapling them by hand. In H&H you’ll find mainstream heroes and small-press heroines, and even a couple of anthropomorphic bikers. Leading off is “V-A-C-A-T-I-O-N (in the Summertime),” a three-page Wonder Woman vs. Harley Quinn story that I wrote and drew in the late ’90s as a sample for a DC Comics editor who thought I’d be a good fit for their Batman: The Animated Series comic (it didn’t work out). The WW/Harley matchup is followed by an adventure of small-presser Jeff Wood’s rabbit-eared superspy, Snowbuni; three pages from the long-canceled indie comic Motorbike Puppies; and an adventure of the indie superheroine The Blonde Avenger.

The Saga of Pandora Zwieback #0: A full-color introduction to the young adult novel series of the same name, hosted by Pan herself. Pan is a 16-year-old New York City Goth who’s not only a horror fangirl but someone with the rare ability to see the for-real monsters that regular humans can’t (she calls it her “monstervision”), and with the help of a 400-year-old, shape-shifting monster hunter named Sebastienne “Annie” Mazarin, she’s learning how to protect her family, her friends, and the world from the supernatural dangers out there—and maybe even have some fun while doing it. This 16-page comic features a seven-page story written by me, with art and color by Eliseu Gouveia (The Saga of Pandora Zwieback Annual #1, Carmilla, A Princess of Mars), and includes two sample chapters from Blood Feud, the first Pan novel.

Both comics are available for download right now, so visit their respective product pages at StarWarp Concepts for more information, including sample pages.

It’s National Encourage a Young Writer Day 2023!

Here’s the sort of “they’ve got a holiday for everything now” celebrations I have no trouble supporting: National Encourage a Young Writer Day! Although no one seems to know the origin of this “holiday,” according to the National Day Calendar:

“Observed each year on April 10th is National Encourage a Young Writer Day. Do you know a young person who has a vivid imagination, maybe someone who likes to tell stories and reads a lot of books? These may be the signs of a great young writer. National Encourage a Young Writer Day would be a good time to talk to them about their ideas and dreams. Encourage them to pursue their goals and develop their writing skills.”

“Again, He Who Stalks” page 1

As I always say, everybody’s gotta start somewhere, and that’s true for writing as much as any other career. Want an example? Check out my first published work, “Again, He Who Stalks”—a science-fiction story I wrote for my high school’s literary magazine when I was 16. Take a look at that, young writers, and then get to work—you could only do better!

Talking Editing on a Sunday Night: The Recap

For those who might have missed the livestream, last night I joined the latest laid-back panel discussion on J.D. Calderon’s YouTube interview series Indy Comics Explained, on the latest installment of his ongoing panel-chat series “Talking Comics on a Sunday Night.” Its topic: “Are Editors and Editing Necessary for Indy Comics?”

J.D. and his cohosts, publisher Jaydee Rosario (Unstoppable Comics) and artist C. Michael Lanning, had on former Marvel Comics editor and writer Alin Silverwood (publisher of PopSkull Press) and Odyssey Comics publisher Marcus McNeal. And me, of course! (In case you didn’t know, I was a professional mainstream editor for over a decade, first as an editor at book packaging company Byron Preiss Visual Publications, and then as editor in chief of its ibooks, inc. publishing imprint.)

It was, as the saying goes, a spirited discussion involving what an editor is, their importance to a project, and what editors expect from writers; I tossed in an anecdote or two about working with both writers and fellow editors. Then we moved on to such topics as whether any of us would have taken a chance on publishing the original Eastman/Laird version of Teenage Mutant Ninja Turtles—either back in the b&w comic days of the 1980s or today—the ins and outs of working with letterers, and promoting the participants’ various Kickstarter campaigns.

So now you know the basics, but to get the full experience, head on over to the actual “Talking Comics on a Sunday Night” panel at Indy Comics Explained and see for yourself!

Talking Comics Editing with J.D. Calderon

Hey, comic and fiction fans! This coming Sunday night, December 18th, I’ll be making a return appearance to J.D. Calderon’s YouTube interview series Indy Comics Explained, on the latest installment of his ongoing panel-chat series “Talking Comics on a Sunday Night.”

(J.D., by the way, is the writer/creator of the fantasy series The Oswald Chronicles and the anthropomorphic fantasy comic series Tall Tails, both published through his Dream Weaver Press company. He’s also been a friend of mine since we met back in the 1990s’ days of the indie comics explosion.)

My last appearance was back in October, when I was promoting the ultimately successful Kickstarter campaign for Piko Interactive’s The Legend of Calamity Jane: Box-Set DVD and Comic, which includes The Legend of Calamity Jane: The Devil Herself, the one-shot comic I’m collaborating on with artist/colorist Eliseu Gouveia (Lorelei: Sects and the City and the Saga of Pandora Zwieback comics) for Piko’s Virtual Comics imprint.

This time around, the subject will be editing (in comics and otherwise), and considering my background as a comic and book editor for the past three decades, J.D. asked me to join him and former Marvel Comics editor and writer Gary Barnum—who writes under the pen name Alin Silverwood—for a discussion. No doubt at some point it’ll turn into a collection of trench-warfare stories about our harrowing experiences working with comic creators. 🙂

So, be sure to tune in December 18th for “Talking Comics on a Sunday Night”!

A Belated Farewell to Publishing Giant Michael Z. Hobson

Even with the usefulness of the Internet, it’s sometimes difficult to keep up with events in the publishing industry. Which is why it came as such a surprise last week when I learned of the passing of Michael Z. Hobson on November 12, 2020, at age 83 due to heart failure. (The fact that the sad news broke over Thanksgiving Day weekend probably had a lot to do with that announcement being overlooked.)

Mike had been a Harvard graduate, a literary agent, and an executive at Little, Brown and Company and Scholastic Publishing before joining Marvel Comics as an executive vice president from 1981 to 1994. 

He was also Pandora Zwieback’s first advocate.

As I often say, get comfortable—it’s a lengthy tale…

Our association started in 1997, during my time as a book editor, when my boss at the time, Byron Preiss, had hired Mike to be executive vice president of publishing for Byron Preiss Multimedia Company, which not only produced screensavers and the like but also co-published a highly successful line of original novels and anthologies based on the Marvel Comics characters (my three X-Men: The Chaos Engine novels, published from 2000 to 2002, were part of that line). It didn’t taken Mike very long, however, to discover that as EVP he wasn’t really allowed to make a lot of final decisions; as president and publisher, Byron held on to that position. Over time, Mike grew tired of the situation and decided to move on—the line of wellwishers on his last day stretched down the hall.

But in the time he was at BPMC, we’d gotten to be friendly. Mike was an easily likeable guy: he didn’t put on the sort of superior attitude you’d expect from someone who’d been in the business as long as he had, and who’d been a top-level executive for just as long. He was attentive, encouraging, and a firm believer in letting creative people be creative. 

It was those qualities that made him one of the most respected people in publishing; adding Mike to your roster was considered a major get. So it was no surprise that after he departed BPMC there was news in 1998 that he’d landed as the new president of Parachute Properties, whose book-packaging company, Parachute Publishing, was the home of R.L. Stein’s bestselling Goosebumps and Fear Street series (also books starring the Olsen Twins, but…meh).

That summer, after he’d had time to settle in at the new place, I got a call from Mike, and an invitation to lunch. Hey, who was I to turn down a free meal?

At a bistro not far from Parachute’s offices, Mike explained the reason for the get-together: he was looking for new titles. As he put it, he’d sat down with management and told them that Goosebumps and Fear Street were all well and good, but if Parachute was to remain successful, it needed to expand its lineup, and that meant bringing in outside projects—creator-owned outside projects.

That was a huge step. Book-packaging companies like Parachute—as well as Byron’s Byron Preiss Visual Publications—typically owned the projects they assembled, and hired authors and artists through work-for-hire contracts, which meant that what they wrote and drew was wholly owned by the company. For a packaging company to start offering deals in which they were profit participants on projects but owned no part of them would be a game changer.

Mike went on to remind me that he greatly enjoyed my writing and my approach to editing, which was why, given the praise he’d just heaped on me, I thought he might be headhunting me to join him as a Parachute editor. But he had an even better proposal to offer:

“So…do you have any project of your own you think would fit in at Parachute?”

Well, no, but that didn’t mean I wouldn’t have one for him in record time! 

A couple weeks later I presented him with Heartstopper, a proposed six-book series of young-adult novels starring an immortal monster hunter named Sebastienne Mazarin and her teenaged Goth-girl sidekick, Pandora Zwieback. I even included character designs, courtesy of Pan and Annie’s co-creator, artist Uriel Caton, who had collaborated with me on the original-but-failed Heartstopper mature-readers comic published in 1994. (Hey, there’s nothing wrong with recycling a title and a character and adding a teen assistant to get it into the YA market.)

Mike loved it. He loved the title—Heartstopper was a short, memorable title like Goosebumps, easy to sell. Even more, he immediately saw its potential—not just YA books, but comics, movies, TV shows, merchandising…yes, this was exactly the sort of new Parachute title he was looking for. By mid-1999, after some fine-tuning of the proposal and a series of editorial back-and-forths, a deal was reached and contracts signed—Heartstopper was now one of the half-dozen (or so) creator-owned properties that Parachute Publishing was going to package. Even better, Mike had put me in touch with one of the other property owners, an artist who needed a writer to help develop his storyline; so now I was looking at two writing projects!

“Off we go!” Mike wrote in his cover letter to the final executed agreement.

But then a few months later I got another call from Mike, and another invitation to lunch. When we got together, Mike explained he had some very bad news to deliver: the new line of books was being scuttled. He couldn’t tell me exactly why that was—that was in-house politics not open for discussion with outsiders—but my impression was that Parachute soured on the idea that they weren’t going to own any of these new properties and thereby reap all the benefits. And possibly they hadn’t realized at the start just how successful Mike would be in launching his plans, or how quickly he’d be able to line up talent for them.

So now they were killing the program, and Mike was placed in the position of having to go back to all us creators and apologize for having us do all this work for no reward. (Since we owned the properties, none of the creators were paid for developing them; the money would have come from eventual sales and a 50/50 split with Parachute. But we all understood that going in.)

For someone with Mike’s standing in the industry, it was a major embarrassment.

The good news, though, was that with the publishing deals dead the creators were free and clear to do what we liked with our projects, hopefully finding homes for them at other publishing houses. Mike even later reached out to some of his contacts to see if Heartstopper could land somewhere (unfortunately, everyone passed on it).

After that, I’d occasionally run into Mike at trade shows like Book Expo America, although in 2000 he went above and beyond just hoping I’d become successful as a writer and editor by convincing Marvel Comics’ licensing division to make me an unusual offer: If I was interested, they’d hand me the publishing rights to all their supernatural characters—which Byron had turned down because he disliked horror—in order to create my own line of original novels and anthologies.

Doctor Strange, Blade, Dracula, Ghost Rider, Man-Thing, Werewolf by Night, Satana the Devil’s Daughter, Morbius the Living Vampire, even the superheroic mercenary Moon Knight—all those and more, mine for the taking because Mike had such confidence in me. Of course I was interested, but things just didn’t work out, unfortunately. That’s a story for another time, though.

By 2003, Mike had retired to become a part-time consultant in publishing, but every time we met he’d ask if anything was happening with that Heartstopper thing. Over time I let him know that the title had changed to The Saga of Pandora Zwieback—the teen-girl sidekick having shifted to the lead position—and he’d encourage me to keep at it.

The last time I saw Mike was in 2011. Elated over the fact that I’d finally taken the plunge and self-published the first Pandora Zwieback novel, Blood Feud, I got ahold of him and asked if he’d be interested in my mailing him a copy (especially since I’d dedicated the book to him). Instead, he invited me to lunch so we could catch up. Well, who was I to pass up a free meal?

Mike was in fine spirits that day, complimenting me on the book and remembering the potential the property still has for ancillary development. It was a fantastic two-and-a-half hour get-together as we talked about old times and the projects we were currently involved with, and as we left the restaurant he shook my hand and wished me continued success.

Like I said, Mike was an easily likeable guy, attentive, encouraging, and a firm believer in letting creative people be creative, and I’m glad I was able to know him, and to be encouraged by him.

Rest in peace, Mike.

Talking Comics Publishing with J.D. Calderon

This past Sunday night, I made a return appearance to J.D. Calderon’s YouTube interview series Indy Comics Explained, joining fellow comic-creating guests Randy Zimmerman (Tales from the Aniverse), Evan K. Pozios (Time Grunts), Joe D. McFee (Amazonia: The Continuing Adventures of E),and Ray Felix (Bronx Heroes), and publisher/podcaster Varian Grant (Indie Volt). (Sorry for not posting an advance notice, but it was sort of a last-minute invitation to join the chat.)

(J.D., by the way, is the writer/creator of the fantasy series The Oswald Chronicles and the anthropomorphic fantasy comic series Tall Tails, both published through his Dream Weaver Press company. He’s also been a friend of mine since we met back in the 1990s’ days of the indie comics explosion.)

On the show, we discussed a variety of topics related to comics publishing: the pros and cons of crowdfunding; the best money we’ve ever spent as publishers; the best and worst publishing advice we’ve gotten; dealing with printers and the rising cost of paper; the problems of getting comics distributed, and whether there are alternatives beyond crowdfunding; the difference between young adult and middle grade reading audiences; and whether changes in the comics industry will eventually lead to the demise of comic shops.

The panel runs a little over two hours, so find a comfortable chair and settle in for “Sunday Night Talking Comics,” the latest episode of Indy Comics Explained.

And in case you missed it, back in May I made my first appearance on the show, where I promoted my critically acclaimed comics historyFrom the Stars…a Vampiress: An Unauthorized Guide to Vampirella’s Classic Horror Adventures, and talked about my time as a professional book editor (and the troubles associated with such work, especially in licensed publishing), my history as a writer and as a self-publisher, the Saga of Pandora Zwieback series, my current work as scripter for Oniric Comics’ Sideral: The Last Earthman, and, if I were offered the chance to write comics for Marvel and/or DC, which characters I’d want to work on. 

Talking to Steve A. Roman” is still available for viewing at Indy Comics Explained. If you’ve got an hour, click on the link and head on over to check it out.